{"id":111182,"date":"2020-02-10T17:00:47","date_gmt":"2020-02-10T15:00:47","guid":{"rendered":"https:\/\/ngradio.gr\/?p=111182"},"modified":"2020-02-12T00:32:29","modified_gmt":"2020-02-11T22:32:29","slug":"oscars-2020-parasite-sweeps-while-netflix-loses-out-on-pretty-much-everything","status":"publish","type":"post","link":"https:\/\/ngradio.gr\/en\/cinema-tv\/oscars-2020-parasite-sweeps-while-netflix-loses-out-on-pretty-much-everything\/","title":{"rendered":"Oscars 2020: Parasite sweeps, while Netflix loses out on pretty much everything"},"content":{"rendered":"\n

Netflix headed into the 92nd Oscars with 24 nominations<\/a> \u2014 the most of any studio \u2014 expecting to dominate award season\u2019s biggest night the same way it\u2019s dominated the entertainment industry. Instead, Netflix walked away with practically zilch.<\/p>\n\n\n\n

The streamer made out with just two awards: Best Documentary for\u00a0American Factory<\/a><\/em> (produced by President Barack and Michelle Obama\u2019s production company) and\u00a0Best Supporting Actress for Laura Dern<\/a>. Its biggest films \u2014\u00a0The Irishman<\/a><\/em> and\u00a0The Two Popes\u00a0<\/em>\u2014 all went home empty-handed.<\/p>\n\n\n\n

Only just a week prior, Netflix\u2019s studio chief Ted Sarandos rebuked claims that its lack of awards at previous award shows is part of a \u201cbacklash to a tech giant that is upending entertainment-industry business practices and threatening Hollywood power hierarchies,\u201d as The<\/em> New York Times <\/em>wrote<\/a>.<\/p>\n\n\n\n

\u201cA pushback? Nobody can say that with a straight face,\u201d Sarandos said. \u201cWe got 24 nominations, the most of any studio. Our films have been honored across the board.\u201d<\/p>\n\n\n\n

Netflix\u2019s Oscar push has been aggressive. Some industry competitors have estimated that Netflix spent approximately $70 million on its Oscars campaign \u2014 much higher than what most studios spend. Netflix hasn\u2019t shied away from its Oscar ambitions, but the company is trying to increase its film output and become a full-fledged studio in 2020.<\/p>\n\n\n\n

Award show prestige is important to the company \u2014 especially when it comes to drawing in the best talent, like Martin Scorsese. Netflix has proven over the last few years that it can secure the nominations, and even win from time-to-time, but getting the big wins are still a struggle. It\u2019s clear that while Netflix moved from the kids\u2019 table to sit with the adults, it\u2019s still the odd one out right now.<\/p>\n\n\n\n

Netflix\u2019s night may not have gone as planned, but\u00a0Parasite<\/a><\/em> director Bong Joon-ho\u2019s did. The director and his team walked away with a number of major awards, including Best Picture, Best Screenplay, Best International Feature Film, and Best Director. Bong used his time on stage to praise his fellow director nominees, including Martin Scorsese, who received a standing ovation during Bong\u2019s speech. How\u2019s he planning on celebrating his historic win?<\/p>\n\n\n\n

\u201cI\u2019m ready to drink tonight,\u201d he joked onstage.<\/p>\n\n\n\n

It was a beautiful moment during an otherwise pretty standard show. Not even CEO Bob Iger could hide his boredom whenever the camera panned to him<\/a>! Brad Pitt, Taika Waititi, Ren\u00e9e Zellweger, and Dern continued their season of award winnings, taking home respective prizes for Best Supporting Actor, Best Adapted Screenplay, Best Actress, and Best Supporting Actress. 1917 <\/em>and Ford v Ferrari <\/em>both took home multiple awards for achieving excellence in technical categories like Best Editing and Best Sound Mixing. Elton John won the prize for Best Original Song for his work on Rocketman.<\/em><\/p>\n\n\n\n

Perhaps the biggest upset? Joker<\/em><\/a>, <\/em>which earned the most nominations for any individual movie, only secured two awards: Best Actor for Joaquin Phoenix and Best Original Score for Hildur Gu\u00f0nad\u00f3ttir. Although, depending on who you ask, maybe it\u2019s not a total upset after all.<\/p>\n\n\n\n

The full list of Oscar winners can be read below.<\/p>\n\n\n\n

Best Picture:<\/strong><\/p>\n\n\n\n

Ford v Ferrari<\/em><\/p>\n\n\n\n

The Irishman<\/em><\/p>\n\n\n\n

Jojo Rabbit<\/em><\/p>\n\n\n\n

Joker<\/em><\/p>\n\n\n\n

Little Women<\/em><\/p>\n\n\n\n

Marriage Story<\/em><\/p>\n\n\n\n

1917<\/em><\/p>\n\n\n\n

Once Upon a Time in Hollywood<\/em><\/p>\n\n\n\n

Parasite<\/strong><\/em><\/p>\n\n\n\n

Lead Actor:<\/strong><\/p>\n\n\n\n

Antonio Banderas, Pain and Glory<\/em><\/p>\n\n\n\n

Leonardo DiCaprio, Once Upon a Time in Hollywood<\/em><\/p>\n\n\n\n

Adam Driver, Marriage Story<\/em><\/p>\n\n\n\n

Joaquin Phoenix, <\/strong>Joker<\/strong><\/em><\/p>\n\n\n\n

Jonathan Pryce, The Two Popes<\/em><\/p>\n\n\n\n

Lead Actress:<\/strong><\/p>\n\n\n\n

Cynthia Erivo, Harriet<\/em><\/p>\n\n\n\n

Scarlett Johansson, Marriage Story<\/em><\/p>\n\n\n\n

Saoirse Ronan, Little Women<\/em><\/p>\n\n\n\n

Charlize Theron, Bombshell<\/em><\/p>\n\n\n\n

Renee Zellweger, <\/strong>Judy<\/strong><\/em><\/p>\n\n\n\n

Supporting Actor:<\/strong><\/p>\n\n\n\n

Tom Hanks, A Beautiful Day in the Neighborhood<\/em><\/p>\n\n\n\n

Anthony Hopkins, The Two Popes<\/em><\/p>\n\n\n\n

Al Pacino, The Irishman<\/em><\/p>\n\n\n\n

Joe Pesci, The Irishman<\/em><\/p>\n\n\n\n

Brad Pitt, <\/strong>Once Upon a Time in Hollywood<\/strong><\/em><\/p>\n\n\n\n

Supporting Actress:<\/strong><\/p>\n\n\n\n

Kathy Bates, Richard Jewell<\/em><\/p>\n\n\n\n

Laura Dern, <\/strong>Marriage Story<\/strong><\/em><\/p>\n\n\n\n

Scarlett Johannson, Jojo Rabbit<\/em><\/p>\n\n\n\n

Florence Pugh, Little Women<\/em><\/p>\n\n\n\n

Margot Robbie, Bombshell<\/em><\/p>\n\n\n\n

Director:<\/strong><\/p>\n\n\n\n

Martin Scorsese, The Irishman<\/em><\/p>\n\n\n\n

Todd Phillips, Joker<\/em><\/p>\n\n\n\n

Sam Mendes, 1917<\/em><\/p>\n\n\n\n

Quentin Tarantino, Once Upon a Time in Hollywood<\/em><\/p>\n\n\n\n

Bong Joon Ho, <\/strong>Parasite<\/strong><\/em><\/p>\n\n\n\n

ANIMATED FEATURE FILM<\/strong><\/h3>\n\n\n\n

How to Train Your Dragon: The Hidden World<\/em><\/p>\n\n\n\n

I Lost My Body<\/em><\/p>\n\n\n\n

Klaus<\/em><\/p>\n\n\n\n

Missing Link<\/em><\/p>\n\n\n\n

Toy Story 4<\/strong><\/em><\/p>\n\n\n\n

Animated Short:<\/strong><\/p>\n\n\n\n

Dcera<\/em>, Daria Kashcheeva<\/p>\n\n\n\n

Hair Love<\/strong><\/em>, Matthew A. Cherry<\/strong><\/p>\n\n\n\n

Kitbull,<\/em> Rosana Sullivan<\/p>\n\n\n\n

Memorable<\/em>, Bruno Collet<\/p>\n\n\n\n

Sister<\/em>, Siqi Song<\/p>\n\n\n\n

Adapted Screenplay:<\/strong><\/p>\n\n\n\n

The Irishman<\/em>, Steven Zaillian<\/p>\n\n\n\n

Jojo Rabbit<\/strong><\/em>, Taika Waititi<\/strong><\/p>\n\n\n\n

Joker<\/em>, Todd Phillips, Scott Silver<\/p>\n\n\n\n

Little Women<\/em>, Greta Gerwig<\/p>\n\n\n\n

The Two Popes<\/em>, Anthony McCarten<\/p>\n\n\n\n

Original Screenplay:<\/strong><\/p>\n\n\n\n

Knives Out<\/em>, Rian Johnson<\/p>\n\n\n\n

Marriage Story<\/em>, Noah Baumbach<\/p>\n\n\n\n

1917<\/em>, Sam Mendes and Krysty Wilson-Cairns<\/p>\n\n\n\n

Once Upon a Time in Hollywood<\/em>, Quentin Tarantino<\/p>\n\n\n\n

Parasite<\/strong><\/em>, Bong Joon-ho, Jin Won Han<\/strong><\/p>\n\n\n\n

Cinematography:<\/strong><\/p>\n\n\n\n

The Irishman<\/em>, Rodrigo Prieto<\/p>\n\n\n\n

Joker<\/em>, Lawrence Sher<\/p>\n\n\n\n

The Lighthouse<\/em>, Jarin Blaschke<\/p>\n\n\n\n

1917<\/strong><\/em>, Roger Deakins<\/strong><\/p>\n\n\n\n

Once Upon a Time in Hollywood<\/em>, Robert Richardson<\/p>\n\n\n\n

Best Documentary Feature:<\/strong><\/p>\n\n\n\n

American Factory<\/strong><\/em>, Julia Rieichert, Steven Bognar<\/strong><\/p>\n\n\n\n

The Cave<\/em>, Feras Fayyad<\/p>\n\n\n\n

The Edge of Democracy<\/em>, Petra Costa<\/p>\n\n\n\n

For Sama<\/em>, Waad Al-Kateab, Edward Watts<\/p>\n\n\n\n

Honeyland<\/em>, Tamara Kotevska, Ljubo Stefanov<\/p>\n\n\n\n

Best Documentary Short Subject:<\/strong><\/p>\n\n\n\n

In the Absence<\/em><\/p>\n\n\n\n

Learning to Skateboard in a Warzone<\/strong><\/em><\/p>\n\n\n\n

Life Overtakes Me<\/em><\/p>\n\n\n\n

St. Louis Superman<\/em><\/p>\n\n\n\n

Walk Run Cha-Cha<\/em><\/p>\n\n\n\n

Best Live Action Short Film:<\/strong><\/p>\n\n\n\n

Brotherhood<\/em>, Meryam Joobeur<\/p>\n\n\n\n

Nefta Football Club<\/em>, Yves Piat<\/p>\n\n\n\n

The Neighbors\u2019 Window<\/strong><\/em>, Marshall Curry<\/strong><\/p>\n\n\n\n

Saria<\/em>, Bryan Buckley<\/p>\n\n\n\n

A Sister<\/em>, Delphine Girard<\/p>\n\n\n\n

Best Foreign Language Film:<\/strong><\/p>\n\n\n\n

Corpus Christi<\/em>, Jan Komasa<\/p>\n\n\n\n

Honeyland<\/em>, Tamara Kotevska, Ljubo Stefanov<\/p>\n\n\n\n

Les Miserables<\/em>, Ladj Ly<\/p>\n\n\n\n

Pain and Glory<\/em>, Pedro Almodovar<\/p>\n\n\n\n

Parasite<\/strong><\/em>, Bong Joon Ho<\/strong><\/p>\n\n\n\n

Film Editing:<\/strong><\/p>\n\n\n\n

Ford v Ferrari<\/strong><\/em>, Michael McCusker, Andrew Buckland<\/strong><\/p>\n\n\n\n

The Irishman<\/em>, Thelma Schoonmaker<\/p>\n\n\n\n

Jojo Rabbit<\/em>, Tom Eagles<\/p>\n\n\n\n

Joker<\/em>, Jeff Groth<\/p>\n\n\n\n

Parasite<\/em>, Jinmo Yang<\/p>\n\n\n\n

Sound Editing:<\/strong><\/p>\n\n\n\n

Ford v Ferrari<\/strong><\/em>, Don Sylvester<\/strong><\/p>\n\n\n\n

Joker<\/em>, Alan Robert Murray<\/p>\n\n\n\n

1917<\/em>, Oliver Tarney, Rachel Tate<\/p>\n\n\n\n

Once Upon a Time in Hollywood<\/em>, Wylie Stateman<\/p>\n\n\n\n

Star Wars: The Rise of SkyWalker<\/em>, Matthew Wood, David Acord<\/p>\n\n\n\n

Sound Mixing:<\/strong><\/p>\n\n\n\n

Ad Astra<\/em><\/p>\n\n\n\n

Ford v Ferrari<\/em><\/p>\n\n\n\n

Joker<\/em><\/p>\n\n\n\n

1917<\/strong><\/em><\/p>\n\n\n\n

Once Upon a Time in Hollywood<\/em><\/p>\n\n\n\n

Production Design:<\/strong><\/p>\n\n\n\n

The Irishman<\/em>, Bob Shaw and Regina Graves<\/p>\n\n\n\n

Jojo Rabbit<\/em>, Ra Vincent and Nora Sopkova<\/p>\n\n\n\n

1917<\/em>, Dennis Gassner and Lee Sandales<\/p>\n\n\n\n

Once Upon a Time in Hollywood<\/strong><\/em>, Barbara Ling and Nancy Haigh<\/strong><\/p>\n\n\n\n

Parasite<\/em>, Lee Ha-Jun and Cho Won Woo, Han Ga Ram, and Cho Hee<\/p>\n\n\n\n

Original Score:<\/strong><\/p>\n\n\n\n

Joker<\/strong><\/em>, Hildur Gu\u00f0nad\u00f3ttir<\/strong><\/p>\n\n\n\n

Little Women<\/em>, Alexandre Desplat<\/p>\n\n\n\n

Marriage Story<\/em>, Randy Newman<\/p>\n\n\n\n

1917<\/em>, Thomas Newman<\/p>\n\n\n\n

Star Wars: The Rise of Skywalker<\/em>, John Williams<\/p>\n\n\n\n

Original Song:<\/strong><\/p>\n\n\n\n

\u201cI Can\u2019t Let You Throw Yourself Away,\u201d Toy Story 4<\/em><\/p>\n\n\n\n

\u201cI\u2019m Gonna Love Me Again,\u201d <\/strong>Rocketman<\/strong><\/em><\/p>\n\n\n\n

\u201cI\u2019m Standing With You,\u201d Breakthrough<\/em><\/p>\n\n\n\n

\u201cInto the Unknown,\u201d Frozen 2<\/em><\/p>\n\n\n\n

\u201cStand Up,\u201d Harriet<\/em><\/p>\n\n\n\n

Makeup and Hair:<\/strong><\/p>\n\n\n\n

Bombshell<\/strong><\/em><\/p>\n\n\n\n

Joker<\/em><\/p>\n\n\n\n

Judy<\/em><\/p>\n\n\n\n

Maleficent: Mistress of Evil<\/em><\/p>\n\n\n\n

1917<\/em><\/p>\n\n\n\n

Costume Design:<\/strong><\/p>\n\n\n\n

The Irishman<\/em>, Sandy Powell, Christopher Peterson<\/p>\n\n\n\n

Jojo Rabbit<\/em>, Mayes C. Rubeo<\/p>\n\n\n\n

Joker<\/em>, Mark Bridges<\/p>\n\n\n\n

Little Women<\/strong><\/em>, Jacqueline Durran<\/strong><\/p>\n\n\n\n

Once Upon a Time in Hollywood<\/em>, Arianne Phillips<\/p>\n\n\n\n

Visual Effects:<\/strong><\/p>\n\n\n\n

Avengers: Endgame<\/em><\/p>\n\n\n\n

The Irishman<\/em><\/p>\n\n\n\n

1917<\/strong><\/em><\/p>\n\n\n\n

The Lion King<\/em><\/p>\n\n\n\n

Star Wars: The Rise of Skywalker<\/em><\/p>\n\n\n\n

<\/p>\n\n\n\n

<\/p>\n\n\n\n

Source: theverge.com<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Netflix headed into the 92nd Oscars with 24 nominations \u2014 the most of any studio \u2014 expecting to dominate award season\u2019s biggest night the same way it\u2019s dominated the entertainment industry. Instead, Netflix walked away with practically zilch. The streamer made out with just two awards: Best Documentary for\u00a0American Factory (produced by ...<\/p>\n","protected":false},"author":6,"featured_media":111183,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[13867],"tags":[9855],"class_list":["post-111182","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cinema-tv","tag-list"],"acf":false,"yoast_head":"\nOscars 2020: Parasite sweeps, while Netflix loses out on pretty much everything - NGradio.gr<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/ngradio.gr\/en\/cinema-tv\/oscars-2020-parasite-sweeps-while-netflix-loses-out-on-pretty-much-everything\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Oscars 2020: Parasite sweeps, while Netflix loses out on pretty much everything - NGradio.gr\" \/>\n<meta property=\"og:description\" content=\"Netflix headed into the 92nd Oscars with 24 nominations \u2014 the most of any studio \u2014 expecting to dominate award season\u2019s biggest night the same way it\u2019s dominated the entertainment industry. 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