{"id":58600,"date":"2017-01-24T18:15:20","date_gmt":"2017-01-24T16:15:20","guid":{"rendered":"https:\/\/ngradio.gr\/en\/?p=58600"},"modified":"2017-01-24T18:17:30","modified_gmt":"2017-01-24T16:17:30","slug":"oscar-nominations-no-repeat-oscarssowhite","status":"publish","type":"post","link":"https:\/\/ngradio.gr\/en\/news-el\/entertainment\/oscar-nominations-no-repeat-oscarssowhite\/","title":{"rendered":"Oscar Nominations: No Repeat of #OscarsSoWhite"},"content":{"rendered":"

Seven people of color were among the 20 acting nominees, while ‘La La Land’ earned a record-tying 14 noms and Mel Gibson landed a best director nod.<\/strong><\/p>\n

As it unveiled its nominees for the 89th Oscars on Tuesday morning, the Academy of Motion Picture Arts and Sciences took to the dance floor with Damien Chazelle’s musical La La Land<\/em>, showering it with 14 nominations \u2013 a record for most nominations that it shares with 1950\u2019s All About Eve<\/em> and 1997\u2019s Titanic<\/em>.<\/p>\n

But the Academy may have breathed a sigh of relief over that fact that it retired, at least for this year, the hashtag #OscarsSoWhite: Seven people of color were among the 20 acting nominees, including best actor nominee Denzel Washington for Fences <\/em>and best actress nominee Ruth Negga for Loving<\/em>, and black directors dominated the documentary film category.<\/p>\n

Thanks to movies like Moonlight<\/em> (which got six noms), Lion<\/em> (which collected another six), Fences<\/em>(with four) and\u00a0Hidden Figures<\/em> (with three), diversity was center stage. All four of those films were nominated for best picture, where they will compete with La La Land <\/em>as well as Arrival<\/em>, Hacksaw Ridge<\/em>, Hell or High Water<\/em> and Manchester by the Sea <\/em>as nine movies battle it out\u00a0for best picture honors.<\/p>\n

The presence of people of color was most in evidence in the acting categories: Mahershala\u00a0Ali (Moonlight)<\/em> and Dev Patel (Lion<\/em>) were both both nominated for supporting actor, and Viola Davis (Fences<\/em>), Naomie Harris (Moonlight<\/em>) and Octavia Spencer (Hidden Figures<\/em>) were nominated for supporting actress. But there was also a wider range of diversity in the behind-the-scenes categories: Barry Jenkins received writing and directing nominations for Moonlight<\/em>; Bradford Young, for his work on Arrival<\/em>, became the first black cinematographer to be nominated; Joi McMillon, nominated along with Nat Sanders for Moonlight<\/em>, became the first black woman to be nominated for film editing; and Kimberly Steward (Manchester by the Sea<\/em>) became only the second black female producer, following Oprah Winfrey’s nomination for Selma<\/em>, to be nominated for best picture.<\/p>\n

The feature documentary category presented a mutli-faceted look at the black experience in America, with nominees including Ava DuVernay’s\u00a013th<\/em>, which focuses on mass incarceration of minorities; Raul Peck’s I Am Not Your Negro<\/em>, which is drawn from the writings of James Baldwin; and Ezra Edelman’s epic O.J.: Made in America<\/em>, which looks at the life and times of O.J. Simpson. Another black director, Roger Ross Williams, was nominated for Life, Animated<\/em>, the story of a young man with autism who learned to communicate by watching Disney animated movies.<\/p>\n

But before anyone rushes to bring down the curtain on #OscarsSoWhite, April Reign, the writer and commentor who coined the hashtag two years ago, notes that it was created to shine a spotlight on an industry-wide problem when it comes to telling diverse stories on screen. Saying that this year’s nominations are really “showing the change that #OscarsSoWhite seeks,” she continued, “While these films this year reflect the black experience, I’m still waiting for films that reflect the Latin experience, for a romantic comedy with two LGBTQ members, for a disabled or differently abled superhero. We’ve actually seen a step back in respect to the Asian-American and Pacific Islander experience with movies like Ghost in the Shell <\/em>or Tilda\u00a0Swinton in Doctor Strange<\/em>.\u00a0So there’s still more work for #OscarsSoWhite. We haven’t gotten there yet, but today was another step in the right direction.”<\/p>\n

Still, Reign applauded the fact that the movies that are being celebrated this year \u2014 which she adds were in development and pre-production even before the first #OscarsSoWhite outcry \u2014 cover a wide spectrum, from the story of a young man finding his way under tough circumstances in Moonlight<\/em> to the accomplished women mathematicians who lend their talents to the space program in Hidden Figures. <\/em>“For far too long,” she observed, “we’ve been given films that reflect broken people of color. If you look at best actress and supporting actress winners who’ve been African-American, women, like Halle Berry in Monster’s Ball<\/em>, have played broken characters. Now, what we’re seeing are strong, totally realized characters like the women in Hidden Figures<\/em>.”<\/p>\n

In terms of other developments, the nominations favored writer-directors.\u00a0La La Land<\/em>‘s\u00a0Chazelle,\u00a0Moonlight’<\/em>s Jenkins and\u00a0Manchester by the Sea<\/em>‘s Kenneth\u00a0Lonergan\u00a0all earned\u00a0screenwriting as well as directing\u00a0noms. The Academy also welcomed back Mel Gibson \u2014who was last nominated (and won) two Oscars for 1995\u2019s Braveheart\u00a0<\/em>but who then became persona non grata to many in the entertainment industry after a drunken outburst in 2008 \u2014\u00a0with a directing nomination for the war movie\u00a0Hacksaw Ridge<\/em>, which scored six nominations. Rounding out the directing category was Canadian director Denis Villeneuve for the brainy sci-fi\u00a0film\u00a0Arrival<\/em>, which made a strong showing with eight nominations.<\/p>\n

And don’t tell President Trump, but Meryl Streep extended her record nomination streak by earning her 20th nomination for her role as the tone-deaf opera singer in Florence Foster Jenkins<\/em>.<\/p>\n

More to come…<\/em><\/p>\n

 <\/p>\n

Source: hollywoodreporter.com<\/p>\n","protected":false},"excerpt":{"rendered":"

Seven people of color were among the 20 acting nominees, while ‘La La Land’ earned a record-tying 14 noms and Mel Gibson landed a best director nod. 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