{"id":73134,"date":"2017-12-28T18:11:36","date_gmt":"2017-12-28T16:11:36","guid":{"rendered":"https:\/\/ngradio.gr\/?p=73134\/"},"modified":"2017-12-28T18:11:36","modified_gmt":"2017-12-28T16:11:36","slug":"17-film-performances-2017-deserve-second-look","status":"publish","type":"post","link":"https:\/\/ngradio.gr\/en\/news-el\/entertainment\/17-film-performances-2017-deserve-second-look\/","title":{"rendered":"17 film performances of 2017 that deserve a second look"},"content":{"rendered":"

With the end of a year comes time for reflection. In Hollywood, that manifests itself in the form of an awards season leading up to March\u2019s Oscars ceremony. Along the way, countless film performances inevitably get lost in the shuffle, missing out on whatever it takes to land the biggest nominations.<\/p>\n

Some have been overshadowed in awards chatter by other players in their own films, while others are the stars of movies that for whatever reason failed to set the box office on fire. But that doesn\u2019t mean they shouldn\u2019t be singled out for attention.<\/p>\n

Looking back at 2017 on the big screen, below are 17 actors whose film performances stood out from the rest. They may not have landed nominations from those all-important Oscars precursors the Golden Globes and SAG awards, but they surely deserve a second look.<\/p>\n

Betty Gabriel, \u2018Get Out\u2019<\/strong><\/p>\n

If \u201cGet Out\u201d is the people\u2019s movie of the year \u2014 as evidenced by the 10-month (and counting) shelf life that\u2019s catapulted it into award season conversations as well as the countless\u00a0fan art and internet memes it has birthed<\/a>\u00a0\u2014 Gabriel is the picture\u2019s most valuable player. No shade to the film\u2019s leads, but when Gabriel, as the maid\/grandmother sheds a singular tear while repeating one singular word, the result is a masterful performance actors-in-training should study.<\/p>\n

\""Get
Betty Gabriel as Georgina in the film “Get Out.”\u00a0Universal Pictures\u00a0<\/span><\/figcaption><\/figure>\n

Lakeith Stanfield and Nnamdi Asomugha, \u2018Crown Heights\u2019<\/strong><\/p>\n

In 1980, Colin Warner was wrongfully convicted of murder and sentenced to a minimum of 15 years in jail. His best friend Carl King devoted 20 years of his life to proving his innocence. In 2001, Warner was exonerated. \u201cCrown Heights\u201d chronicles this story with Stanfield and Asomugha as Warner and King, respectively. While many know Stanfield for his standout roles in \u201cGet Out\u201d and the Emmy-winning series \u201cAtlanta,\u201d this Sundance prize-winning film gives him the opportunity to fully flex his dramatic chops. It\u2019s paired with a particularly surprising performance from\u00a0ex-NFLer Asomugha<\/a>.<\/p>\n

\"Crown
Lakeith Stanfield in “Crown Heights.”\u00a0IFC Films<\/span><\/figcaption><\/figure>\n
\""Crown
Nnamdi Asomugha in “Crown Heights.”\u00a0IFC Films<\/span><\/figcaption><\/figure>\n
\n

Daniela Vega, \u2018A Fantastic Woman\u2019<\/strong><\/p>\n

According to\u00a0Times critic Justin Chang<\/a>, Vega \u201cfiercely and sympathetically embodied\u201d the character of Marina Vidal, a young transgender woman who works as a singer and waitress in Santiago, Chile. That might be because, in a way,\u00a0she helped inspire the character<\/a>. A trans woman herself, self-proclaimed Chile\u2019s first trans actress, Vega served as a cultural consultant for director Sebasti\u00e1n Lelio before taking on the role. Her performance grounds the picture, which made it to this year\u2019s Oscars foreign-language film shortlist.<\/p>\n

\""A
Daniela Vega in a scene from the movie “A Fantastic Woman.”\u00a0Sony Pictures Classics<\/span><\/figcaption><\/figure>\n

Algee Smith, \u2018Detroit\u2019<\/strong><\/p>\n

While \u201cDetroit\u201d offers viewers a lot to chew on, from the impetus for the 1967 riots it unfolds during to the still-happening misconduct by white police officers directed at black people, Smith is by far one of the picture\u2019s standout elements. It\u2019s his passionate performance as a young black man with dreams of making it as a singer that drives the film to its devastating finish. And his vocals, first made known to most when he portrayed R&B singer Ralph Tresvant in BET\u2019s \u201cThe New Edition Story\u201d earlier this year, takes the gritty drama to a whole new level.<\/p>\n

\""Detroit"\"
Algee Smith in director Kathryn Bigelow’s “Detroit.”\u00a0Francois Duhamel \/ Annapurna Pictures<\/span><\/figcaption><\/figure>\n

Caleb Landry Jones, \u2018Three Billboards Outside Ebbing, Missouri\u2019<\/strong><\/p>\n

Jones has had a busy year with notable turns in three films that have all garnered awards season attention. In \u201cGet Out,\u201d he played the son, and muscle, of a family who take over the bodies of black people. In \u201cThe Florida Project,\u201d he plays the son of Willem Dafoe\u2019s kindhearted motel owner. But it\u2019s his \u201cThree Billboards\u201d role, as the young, impressionable billboard salesman who\u2019s thrown out of a window and beaten within inches of his life, that most resonates.<\/p>\n

\"THREE
Zeljko Ivanek and Caleb Landry Jones (right) in “Three Billboards Outside of Ebbing, Missouri.”\u00a0Merrick Morton \/ Fox Searchlight Pictures<\/span><\/figcaption><\/figure>\n

Rebecca Hall, \u2018Professor Marston and the Wonder Women\u2019<\/strong><\/p>\n

While everyone has been focused on the blockbuster \u201cWonder Woman\u201d and its history-making duo in director Patty Jenkins and star Gal Gadot, Hall\u2019s performance in Angela Robinson\u2019s \u201cProfessor Marston\u201d is something of a \u201cwonder\u201d itself. In the story about psychologist William Moulton Marston (Luke Evans) and his polyamorous relationship that inspired his creation of Wonder Woman, Hall plays Marston\u2019s wife, a highly educated woman herself who initially battles with a sexual attraction for women. She perfectly captures both the exaggerated and more subtle aspects of the character, turning out a performance worthy of a place in the queer cinematic canon.<\/p>\n

\"PROFESSOR-MARSTON-AND-WONDER-WOMEN\"
Rebecca Hall, left, stars as Elizabeth Marston, Luke Evans as Dr. William Marston and Bella Heathcote as Olive Byrne in “Professor Marston and the Wonder Women.”\u00a0Claire Folger \/ Annapurna Pictures<\/span><\/figcaption><\/figure>\n

O\u2019Shea Jackson Jr., \u2018Ingrid Goes West\u2019<\/strong><\/p>\n

After playing his father, Ice Cube, in the 2015 breakout \u201cStraight Outta Compton,\u201d countless people in the industry wondered what Jackson\u2019s followup role would be. There may even have been some skepticism that he could play a character outside of his own family. But with a surprisingly refreshing performance in \u201cIngrid Goes West,\u201d as the landlord and eventual boyfriend with an affinity for Batman (of Aubrey Plaza\u2019s titular character), he shines again \u2014 and officially put the industry on notice.<\/p>\n

\""Ingrid
O’Shea Jackson, Jr., from the film “Ingrid Goes West.”\u00a0Neon<\/span><\/figcaption><\/figure>\n

John Cho and Haley Lu Richardson, \u2018Columbus\u2019<\/strong><\/p>\n

Kogonada\u2019s Sundance breakout \u201cColumbus\u201d is fronted by two mesmerizing performances from Cho and Richardson \u2014 as, respectively, a Korean-born man stuck in Columbus, Ind., where his father is in a coma, and the young woman he meets while there, tending to her recovering-addict mother. For Cho, the film is a calling card for\u00a0more lead roles for a veteran performer<\/a>\u00a0whose acting chops, perhaps for the first time, are on full display. Meanwhile, Richardson delivers her character with the nuance and finesse of someone many years her senior.<\/p>\n

\""Columbus"\"
John Cho and Haley Lu Richardson in the film “Columbus.”\u00a0Elisha Christian \/ Superlative Films<\/span><\/figcaption><\/figure>\n
\n

Jason Mitchell, \u2018Mudbound\u2019<\/strong><\/p>\n

When writer-director Dee Rees saw Mitchell\u2019s tender turn as rapper Eazy-E in \u201cStraight Outta Compton,\u201d she\u00a0knew she wanted him<\/a>\u00a0for her historical epic about family, privilege and race. In \u201cMudbound,\u201d he plays a WWII veteran who has just returned home to the South where his military service means nothing because he is black. Mitchell\u2019s performance is far from \u201cCompton,\u201d but similarly delicate, informed and transcendent.<\/p>\n

\""Mudbound"\"
Jason Mitchell (left) and Garrett Hedlund in a scene from the movie “Mudbound.”\u00a0Steve Dietl \/ Netflix<\/span><\/figcaption><\/figure>\n
\n

Tiffany Haddish, \u2018Girls Trip\u2019<\/strong><\/p>\n

\n<\/div>\n

\n

The funniest person on film in 2017 is, by far,\u00a0Haddish<\/a>\u00a0in Malcolm D. Lee\u2019s \u201cGirls Trip\u201d \u2014 and not just because\u00a0her co-star Jada Pinkett Smith said so<\/a>. There\u2019s a reason why film critic Chang called her\u00a0\u201cthe scene-stealing revelation\u201d<\/a>\u00a0of the picture and other critics have likened her performance to Melissa McCarthy\u2019s Oscar-nominated turn in \u201cBridesmaids.\u201d Give her all the awards, please and thanks, because a grapefruit will never be so hilarious again.<\/p>\n

\""Girls<\/p>\n

Tiffany Haddish is flanked by Queen Latifah, left, and Jada Pinkett Smith in “Girls Trip.”\u00a0Michele K. Short \/ Universal Pictures<\/span><\/p>\n

Beulah Koale, \u2018Thank You for Your Service\u2019<\/p>\n

Koale, a Hollywood newcomer from New Zealand, has hopes of being \u201cthe Polynesian version of Denzel Washington<\/a>.\u201d He\u2019s well on his way with an emotionally sincere turn as a vet who returns from the Iraq war with post-traumatic stress disorder in the film based on a nonfiction book of the same name from Pulitzer Prize-winning journalist David Finkel.<\/p>\n

\"Beulah<\/p>\n

Beulah Koale is a star of “Thank You for Your Service.”\u00a0Irfan Khan \/ Los Angeles Times<\/span><\/p>\n

Salma Hayek, \u2018Beatriz at Dinner\u2019<\/strong><\/p>\n<\/div>\n

\n

As a holistic medicine practitioner who attends a wealthy client’s dinner party after her car breaks down,\u00a0Hayek<\/a>\u00a0tears into a role specifically tailored for her by screenwriter Mike White. With an estimable ensemble including John Lithgow, Connie Britton, Chlo Sevigny and Jay Duplass playing members of the privileged class, Hayek\u2019s Beatriz walks a line between comedy and drama while representing an alternately deferential, defensive and defiant voice of working people.<\/p>\n<\/div>\n

\"Salma
Salma Hayek in “Beatriz at Dinner.”\u00a0Lacey Terrell \/ Sundance Institute<\/span><\/figcaption><\/figure>\n
\n

Bridget Everett and Mamoudou Athie, \u2018Patti Cake$\u2019<\/strong><\/p>\n<\/div>\n

\n

While one could throw a rock in every direction on the set of \u201cPatti Cake$\u201d and hit talent, both Everett and Athie\u2019s performances \u2014 as, respectively, the alcoholic mother of an aspiring female rapper and the gothic, quiet boyfriend and bandmate of that same rapper \u2014 help to elevate the indie film in unique ways. A scene where Everett\u2019s character reconciles with her daughter and another where Athie\u2019s character strips away his dark facade for the preppy look he was raised with show off both actors\u2019 abilities to do a significant amount with the little time they\u2019re given.<\/p>\n<\/div>\n

\"Bridget
Bridget Everett in “Patti Cake$.”\u00a0Fox Searchlight Pictures<\/span><\/figcaption><\/figure>\n
\"Patti
Mamoudou Athie in “Patti Cake$.”\u00a0Fox Searchlight Pictures\u00a0<\/span><\/figcaption><\/figure>\n
\n
\n

Mela Murder, \u2018The Florida Project\u2019<\/strong><\/p>\n<\/div>\n

\n

While writer-director Sean Baker is known for pulling out magnificent performances from unknown and first-time actors, such a skill is on prime display in Murder\u2019s underappreciated turn in \u201cThe Florida Project.\u201d As a concerned mother who works at an area restaurant to pay the hotel bill where she and her family live, Murder is raw and perfectly endearing, beautifully capturing her character\u2019s lived struggles.<\/p>\n<\/div>\n

\""The
Brooklynn Prince, left, Mela Murder and Bria Vinaite in “The Florida Project.”\u00a0Marc Schmidt \/ A24<\/span><\/figcaption><\/figure>\n<\/div>\n

Source:\u00a0\u00a0latimes.com<\/p>\n","protected":false},"excerpt":{"rendered":"

With the end of a year comes time for reflection. In Hollywood, that manifests itself in the form of an awards season leading up to March\u2019s Oscars ceremony. Along the way, countless film performances inevitably get lost in the shuffle, missing out on whatever it takes to land the biggest ...<\/p>\n","protected":false},"author":6,"featured_media":73138,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[4545],"tags":[4655],"class_list":["post-73134","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-entertainment","tag-film-en"],"acf":false,"yoast_head":"\n17 film performances of 2017 that deserve a second look - NGradio.gr<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/ngradio.gr\/en\/news-el\/entertainment\/17-film-performances-2017-deserve-second-look\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"17 film performances of 2017 that deserve a second look - NGradio.gr\" \/>\n<meta property=\"og:description\" content=\"With the end of a year comes time for reflection. 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In Hollywood, that manifests itself in the form of an awards season leading up to March\u2019s Oscars ceremony. 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