{"id":80059,"date":"2018-03-27T18:50:34","date_gmt":"2018-03-27T15:50:34","guid":{"rendered":"https:\/\/ngradio.gr\/?p=80059\/"},"modified":"2018-03-27T18:50:34","modified_gmt":"2018-03-27T15:50:34","slug":"heres-critics-think-ready-player-one","status":"publish","type":"post","link":"https:\/\/ngradio.gr\/en\/news-el\/entertainment\/heres-critics-think-ready-player-one\/","title":{"rendered":"Here’s what the critics think of ‘Ready Player One’"},"content":{"rendered":"

 <\/p>\n

Ready Player One\u00a0<\/em>\u00a0hits theaters this week and critics have weighed in with almost unanimous agreement that, while the movie is visually stunning and a fun thrill ride full of references, it all gets a little old well before the credits roll.<\/p>\n

Steven Spielberg’s adaptation of Ernest Cline’s best-selling novel of the same name dives deep into the virtual world of the OASIS and never stops throwing pop culture references at viewers \u2013 which according to most critics is perfectly fine, despite the lackluster story at the movie’s heart. After all, Spielberg told viewers at SXSW that\u00a0Ready Player One<\/em>\u00a0is a movie, not a film, and should be enjoyed as such.<\/p>\n

<\/div>\n

Read one to see what critics thought of\u00a0Ready Player One<\/em>.<\/p>\n

The movie is better than the book<\/strong><\/p>\n

Tasha Robinson,\u00a0The Verge<\/a>:<\/p>\n

The film improves significantly on the book by prioritizing the story over the signifiers. The hardcore pop-culture crowd that is this movie\u2019s ultimate intended audience will have plenty to pore over and pick apart in this film. But the story moves briskly enough, and with enough giant-sized, screen-friendly excitement that it doesn\u2019t feel like it\u2019s aimed solely and specifically at them.<\/p><\/blockquote>\n

Brian Truitt,\u00a0USA Today<\/em><\/a>:<\/p>\n

And if you\u2019ve ever wanted to see Hello Kitty and RoboCop in the same film, Spielberg\u2019s got you covered. The abundance of references isn\u2019t as egregious as it is in the original book. Think of it as the\u00a0Goldilocks and the Three Bears<\/em>\u00a0of nerdiness: Some might think there\u2019s too many, some might think there\u2019s too little, but really it\u2019s just right.<\/p><\/blockquote>\n

The visuals and amount of references are stunning<\/strong><\/p>\n

Mara Reinstein,\u00a0Us Weekly<\/em><\/a>:<\/p>\n

Spielberg is a master at visual storytelling, obviously. Despite some sensory overload, there\u2019s no denying he can still weave mind-blowing action sequences. Wade speeds through the OASIS as familiar characters pass through the side windows. Maybe I\u2019ll catch them all by the fourth viewing.<\/p><\/blockquote>\n

Michael Philips,\u00a0Chicago Tribune<\/em><\/a>:<\/p>\n

Spielberg juices it, flinging the audience between virtual worlds, and between virtual and real ones. The visual referencing is happily relentless. The holy hand grenade from \u201cMonty Python and the Holy Grail\u201d flies by for a cameo; so does King Kong and \u201cThe Breakfast Club\u201d and Chucky from \u201cChild\u2019s Play\u201d and famous emblems of Spielberg\u2019s own movies.<\/p><\/blockquote>\n

The movie contradicts itself<\/strong><\/p>\n

Tasha Robinson,\u00a0The Verge<\/a>:<\/p>\n

Unequivocally, the film\u2019s biggest problem is the half-assed love story between Wade and Art3mis, which operates on approximately 75 percent wish-fulfillment and 25 percent apathetic inevitability. When they first encounter each other, Wade is starstruck: he knows Art3mis from her online cool-girl rep, and watching her in action, he sees her as an \u00fcber-badass with leet skillz and an appealingly punk devil-may-care attitude. It\u2019s a short, shocking jump from there to him telling her he loves her. What follows should be important and telling \u2014 she reminds him that they don\u2019t know each other, that he\u2019s seeing an online avatar and a mental picture he\u2019s largely invented … But the film never follows through on that mature and useful point. The insta-relationship that develops between them is as inauthentic and insulting as the central romance in Edgar Wright\u2019s\u00a0Scott Pilgrim Vs. The World<\/em>, without any of the sense of irony or intentionality.<\/p><\/blockquote>\n

A.A. Dowd,\u00a0AV Club<\/a>:<\/p>\n

The film\u2019s villain, played by Ben Mendelsohn, is a bigwig slimeball who wants to monopolize and monetize The Oasis through excessive pop-up ads. His true crime, though, is that he\u2019s a total noob who doesn\u2019t know his stuff.\u00a0Ready Player One<\/em>\u00a0can\u2019t see the deep, inherent irony of its battle lines, the way it pits an evil corporation\u2014complete with branded, uniformed, Stormtrooper gamers\u2014against kids whose entire identities have been shaped by corporate product. Is Mendelsohn\u2019s heavy really so different than\u00a0Ready Player One<\/em>\u00a0itself, whose whole raison d\u2019\u00eatre is capitalizing on affection for stuff you liked when you were young?<\/p><\/blockquote>\n

It wears out its welcome<\/strong><\/p>\n

Michael Philips,\u00a0Chicago Tribune<\/em><\/a>:<\/p>\n

The movie runs 140 minutes, which feels overgenerous for the amount and the quality of the narrative at hand.<\/p><\/blockquote>\n

Chris Nashawaty,\u00a0Entertainment Weekly<\/em><\/a>:<\/p>\n

By the last half hour (which is punctuated by one of Spielberg\u2019s cornier endings), a sort of fatigue sets in. And not the kind you get from playing a video game for too long, but the kind you get from watching someone else play a video game for too long. Eventually, you feel like you\u2019re living through the \u201980s in real time. In other words,\u00a0Ready Player One<\/em>\u00a0is pure Thriller, until you eventually look at your watch and want to Beat It.<\/p><\/blockquote>\n

 <\/p>\n

Source:\u00a0 mashable.com<\/p>\n","protected":false},"excerpt":{"rendered":"

  Ready Player One\u00a0\u00a0hits theaters this week and critics have weighed in with almost unanimous agreement that, while the movie is visually stunning and a fun thrill ride full of references, it all gets a little old well before the credits roll. Steven Spielberg’s adaptation of Ernest Cline’s best-selling novel ...<\/p>\n","protected":false},"author":6,"featured_media":80060,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[4545],"tags":[12039],"class_list":["post-80059","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-entertainment","tag-ready-player-one"],"acf":false,"yoast_head":"\nHere's what the critics think of 'Ready Player One' - NGradio.gr<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/ngradio.gr\/en\/news-el\/entertainment\/heres-critics-think-ready-player-one\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Here's what the critics think of 'Ready Player One' - NGradio.gr\" \/>\n<meta property=\"og:description\" content=\"  Ready Player One\u00a0\u00a0hits theaters this week and critics have weighed in with almost unanimous agreement that, while the movie is visually stunning and a fun thrill ride full of references, it all gets a little old well before the credits roll. 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