{"id":80063,"date":"2018-03-26T18:53:15","date_gmt":"2018-03-26T15:53:15","guid":{"rendered":"https:\/\/ngradio.gr\/?p=80063\/"},"modified":"2018-03-27T18:56:01","modified_gmt":"2018-03-27T15:56:01","slug":"netflix-orders-queer-eye-nailed-unscripted-push-continues","status":"publish","type":"post","link":"https:\/\/ngradio.gr\/en\/news-el\/entertainment\/netflix-orders-queer-eye-nailed-unscripted-push-continues\/","title":{"rendered":"Netflix Orders More Queer Eye and Nailed It As Its Unscripted Push Continues"},"content":{"rendered":"

Things\u00a0keep getting better<\/a>\u00a0for Netflix\u2019s\u00a0Queer Eye<\/em>: Season two of the\u00a0critically praised makeover series is officially a go, Vulture has learned. The streaming giant will officially announce the renewal Monday, along with second seasons for the Nicole Byer\/Jacques Torres-hosted baking competition\u00a0Nailed It!<\/em>\u00a0and three other docu-series (Dope<\/em>,\u00a0Drug Lords<\/em>, and\u00a0The Toys that Made Us<\/em>). Netflix didn\u2019t take long to decide on the greenlights for\u00a0Queer Eye<\/em>\u00a0and\u00a0Nailed It<\/em>, ordering their renewals just six and three weeks after their respective premieres. And while nothing\u2019s set in stone just yet, Netflix unscripted content chief Bela Bajaria tells Vulture the company\u2019s goal is to get eight new episodes of both series streaming by year\u2019s end.<\/p>\n

Given the strong buzz and mostly positive critical reactions to both\u00a0Queer Eye<\/em><\/a>\u00a0and\u00a0Nailed It!<\/em>,<\/a>\u00a0today\u2019s renewals aren\u2019t a complete shock. Still, particularly in the case of\u00a0Queer Eye\u00a0<\/em>\u2014 an updated version of a once-beloved Bravo franchise \u2014 success was hardly guaranteed. \u201cWhen you\u2019re rebooting a show, it\u2019s sort of double-edged sword when you go into it,\u201d Bajaria says. But she credits series creator David Collins and his Scout Productions for figuring out the right way to reinvent it. \u201cThe team here did such a great job of casting \u2026 [and] also, just tonally, letting the show just be authentic and real. [If] the last series is really about tolerance, this one is about acceptance.\u201d<\/p>\n

Bajaria wouldn\u2019t offer any specifics about how many Netflix subscribers have sampled the just-renewed series, but she did note\u00a0Nailed It!<\/em>\u00a0and\u00a0Queer Eye<\/em>\u00a0have generated particularly strong (and growing) social media reaction. It\u2019s an encouraging sign for the streamer, which is in the early stages of an aggressive push to dominate unscripted TV \u2014 reality shows, docu-series and talk shows \u2014 the same way it\u2019s conquered scripted entertainment. In addition to the five projects it renewed today, Netflix in recent months has launched a monthly David Letterman interview series, brought about the return of\u00a0Joel McHale<\/a>\u00a0to weekly pop culture spoofery, and debuted two seasons of Bill Nye\u2019s adult-appropriate science talk show and the\u00a0America Ninja<\/em>-like global competition\u00a0Ultimate Beastmaster<\/em>. The next 12 months or so will bring another batch of big names getting in front of cameras to chat (Jerry Seinfeld, Michelle Wolf, Hasan Minhaj, Norm Macdonald); reality shows starring hosts as diverse as\u00a0Carol Burnett\u00a0<\/a>and\u00a0Marie Kondo<\/a>; and a just-announced docu-series that goes behind the scenes of Formula One racing.<\/p>\n

Overseeing it all is Bajaria, who joined Netflix in late 2016 after five years running Universal Television (the studio behind\u00a0Master of None<\/em>and\u00a0Unbreakable Kimmy Schmidt<\/em>) and a decade making movies and series at CBS. Vulture recently rang up Bajaria for a wide-ranging chat about Netflix\u2019s unscripted division, tackling everything from why the company decided to jump into the already crowded talk show space to whether being a streaming network allows it to invigorate the cliche-addled reality genre.<\/p>\n

You\u2019ve just renewed\u00a0Queer Eye\u00a0<\/em>for a second season. I\u2019m not even going to ask for viewership stats, because I know you won\u2019t give them. But are there other things you can point to as a measure of its success, from your point of view?<\/strong>
\nWhat\u2019s been amazing is just the social chatter [around] the show. Here is the one thing I will tell you about the numbers: All of the cultural conversation and all the social media has increased every week. And that means people are feeling an emotional connection, and they want to share it. That doesn\u2019t always happen. We see a lot of social chatter usually at launches, for obvious reasons, but what\u2019s been to interesting to see [with\u00a0Queer Eye<\/em>] is the word of mouth. People are just so excited. They want other people to experience it. So, we\u2019re very pleased with how the show has performed, but it\u2019s just really gratifying to see people connecting with other people. The word of mouth [is] actually driving the show week-to-week.<\/p>\n

One of the common complaints about reality shows \u2014\u00a0from network execs, producers, even some fans \u2014 is that the genre has become mature to the point of often being stale. There are obviously exceptions, and innovation, but so often producers rely on the same tricks they\u2019ve been using since\u00a0Survivor<\/em>. When you decided to get into unscripted, did you really see it as a chance to blow up the form? Or was it something more subtle?<\/strong>
\nWhen we discussed getting into unscripted, we knew that, just like all the other groups at Netflix, we had a great opportunity to say [to producers], \u201cYou have an idea. We want to make the\u00a0best<\/em>\u00a0unscripted shows.\u201d Because we have the freedom to say, \u201cOkay, let\u2019s put eight episodes up,\u201d and [viewers] can binge all of them. You don\u2019t have to have all of those teases in between commercials, those artificial teases of what\u2019s coming up. You can just have a really great, organic experience of watching the episodes straight through. We knew we were going to provide A-list production companies and showrunners a great place to come, hopefully, do their best work.<\/p>\n

And you don\u2019t have to stick to one or two genres. There\u2019s no narrowly defined brand like a Food Network or VH1.<\/strong>
\n<\/strong>It\u2019s such a wide variety of tone and different categories in unscripted. Shows like\u00a0Dope<\/em>\u00a0and\u00a0Confession Tapes\u00a0<\/em>\u2014 that sort of docu-series. The talk shows.\u00a0Queer Eye<\/em>\u00a0and\u00a0Nailed it.\u00a0<\/em>Areas like cooking and cars \u2014 they\u2019re not new formats or genres. But we can elevate it. We can do a different kind of take on formats that may seem familiar. And it has been really fun and rewarding to see the launch of this first slate of shows, and to see how well they\u2019re being received. Even with the breadth of shows \u2014 there really is something for everybody \u2014 it\u2019s a very personalized experience. You can watch\u00a0Girls Incarcerated\u00a0<\/em>or\u00a0Dope,\u00a0<\/em>or you may love\u00a0Queer Eye\u00a0<\/em>and\u00a0Nailed It.\u00a0<\/em>You may love all of them across the board. It\u2019s been a really good start to the unscripted initiative.<\/p>\n

Do you want to have more than one season a year, or more than one cycle, for your reality shows?<\/strong>
\n<\/strong>We\u2019re definitely going to try to have them have a better cadence, schedule-wise, so you\u2019re not waiting an entire year. With\u00a0Nailed It,\u00a0<\/em>the goal will be to try to get more episodes in 2018.<\/p>\n

So will\u00a0Queer Eye<\/em>\u00a0be back in 2018? And how many episodes will it be?<\/strong>
\nYes. I think we\u2019re going to do eight.<\/p>\n

Let\u2019s shift over another part of your portfolio \u2014 talk shows. Is the goal here to find a cost-effective way to engage viewers more frequently than you can with a scripted series? You can have new episodes of a franchise every week, as opposed to eight or ten episodes of a show dropped once a year. Or was it not as complicated as that?<\/strong>
\nIt\u2019s an interesting question, but no, it didn\u2019t start that way. It wasn\u2019t, \u201cLet\u2019s do a weekly engagement with our viewers, and talk shows are the way to do it.\u201d It really started with a [talent such as] Michelle Wolf walking in the door [with] a pitch for a show that \u2026 would feel a little more topical. And a weekly series just lends itself to that. It was more organic. The show came in, and we wanted the right thing for that show.<\/p>\n

Can you give a sense of how the shows from Michelle Wolf and Hasan Minhaj will look? You haven\u2019t said much about what they\u2019re going to be.<\/strong>
\n<\/strong>You know, they\u2019re so early in their process. For Hasan, we don\u2019t even have a writer\u2019s room, we don\u2019t have any of that. Because of where they came from, people might just go, \u201cOh, you\u2019re doing two topical shows\u201d \u2014 and they\u2019re not. Michelle Wolf is a very different format [than] Hasan Minhaj\u2019s. They will definitely have very different visual styles than each other, and a different tone.<\/p>\n

American talk show hosts, at least the comedic ones, have historically been overwhelmingly white and male. You\u2019ve already got a more diverse slate than anyone else, in part because you\u2019ve got so many shows in the works. But do you still think there\u2019s more to do? Is aiming for diversity in your slate something you\u2019re conscious of?<\/strong>
\n<\/strong>I\u2019m definitely conscious of that. There are obviously people that have done it for a long time, and have done it well, and are big names. But for us, it was also, who are those\u00a0next\u00a0<\/em>people? The new voices who really are smart and funny and have a vision and something to say. There\u2019s always more to do [on diversity]. You see a lot more diverse voices coming up through comedy and stand-up. It looks very different than even when I started 20 years ago in the business. Also, [Netflix has] 120 million members globally, right? All of these shows launch everywhere in the world. So the diversity in voices and points of view and backgrounds is really important.<\/p>\n

As you\u2019ve built your unscripted roster, did you mostly identify people you wanted to be in business with and then pursue them? Or did you just send out the signal to the talent agencies: \u201cBring us your hosts! Bring us your formats!\u201d?<\/strong>
\n<\/strong>As you can imagine, we got a lot of pitches in the area. A couple of people we pursued\u2026 but it was a little bit open. It was: If you have an idea for a show that hopefully either turns the format on its ear, or has a different way to do it, then we\u2019re open.<\/p>\n

Are you looking to find a talk show that\u2019s not based in the U.S.? James Corden, if he had gone to Netflix, I could have seen him staying in the U.K. and doing his show there. Would you launch a British or Australian or Indian talk show that\u2019s streamed globally?<\/strong>
\n<\/strong>Oh, yeah. We\u2019re definitely open to that. There\u2019s been a couple people who have done shows out of the U.K., and it could be a show from there that travels across just like a show from here would travel that way. And if you\u2019re looking at the [reality] slate, there are going to be shows that might have a really interesting cast of characters, or a docu-series in another country. We do that with scripted shows. There\u2019s no reason that can\u2019t happen with unscripted or talk.<\/p>\n

Right now, you\u2019re doing mostly weekly talk shows, with David Letterman\u2019s series airing monthly. What about a show that comes on five days per week?<\/strong>
\n<\/strong>I don\u2019t think we\u2019re really interested right now to try to do a daily show. The logistics of turning a show around so everybody in the world can have it \u2014 I\u2019m not saying there won\u2019t be a day we can actually turn it around daily. But it\u2019s not the focus right now.<\/p>\n

With the talk shows, some of the initial orders \u2014 with Joel McHale for instance\u2014 have been 13 episodes. That\u2019s a very old-school, linear TV number. Is the thinking right now that you\u2019ll have one of these big talk shows every quarter, and they\u2019ll only air one or two batches of episodes every year? Or will they all exist year-round, with new episodes most weeks?<\/strong>
\n<\/strong>It\u2019s a little bit early to tell. Joel \u2014 his show is really strong and he\u2019s so talented. Even watching week to week, you find it getting stronger and stronger. Joel will be on, and then Michelle [Wolf] will be on, and more in summer. So if you want to watch a show weekly, there\u2019ll be another, right? You\u2019re not waiting another year. There\u2019ll be a regular cadence. And then with each show, we\u2019ll evaluate if we\u2019re gonna do more. But we\u2019re not in the kind of linear cable [business of], \u201cLet\u2019s do the entire year.\u201d Is 13 the right number? Is 15 the right number? I\u2019m not sure. We\u2019re learning a lot this year. It\u2019s still experimental.<\/p>\n

So it\u2019s unlikely, at least for now, that you\u2019ll have four or five different talk shows rolling out new episodes every week, most weeks of the year?<\/strong>
\n<\/strong>Right. For now, the way they are spaced out \u2014 some strategically and some just for logistical reasons \u2014 is that they are going to be more staggered. You\u2019re not going to have three new talk shows coming at you all at that same time. If you enjoy talk shows \u2013 and a lot of people obviously watch more than just one person \u2014 you\u2019ll have them staggered through the year.<\/p>\n

I\u2019m a bit of a game show junkie, so I\u2019ve got to ask: Any possibility of Netflix getting into that business, too?<\/strong>
\n<\/strong>For sure. We\u2019ve considered a couple of them, [and] we would absolutely do a game show. We just haven\u2019t found the right one.<\/p>\n

Do you want your unscripted roster to grow as dramatically as the scripted side? Are we going to wake up two years from now and find 400 Netflix original reality shows?<\/strong>
\n<\/strong>There\u2019s no agenda to say, \u201cLet\u2019s do ten cooking shows.\u201d It\u2019s not really that. It was, let\u2019s build this slate and really see what kinds of shows work in all these different categories. Let\u2019s build this audience and be thoughtful about this process. There are so many different categories in unscripted, and I think you\u2019ll see it expand.<\/p>\n

\n

Source:\u00a0vulture.com<\/p>\n","protected":false},"excerpt":{"rendered":"

Things\u00a0keep getting better\u00a0for Netflix\u2019s\u00a0Queer Eye: Season two of the\u00a0critically praised makeover series is officially a go, Vulture has learned. The streaming giant will officially announce the renewal Monday, along with second seasons for the Nicole Byer\/Jacques Torres-hosted baking competition\u00a0Nailed It!\u00a0and three other docu-series (Dope,\u00a0Drug Lords, and\u00a0The Toys that Made Us). ...<\/p>\n","protected":false},"author":6,"featured_media":80064,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[4545],"tags":[],"class_list":["post-80063","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-entertainment"],"acf":false,"yoast_head":"\nNetflix Orders More Queer Eye and Nailed It As Its Unscripted Push Continues - NGradio.gr<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/ngradio.gr\/en\/news-el\/entertainment\/netflix-orders-queer-eye-nailed-unscripted-push-continues\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Netflix Orders More Queer Eye and Nailed It As Its Unscripted Push Continues - NGradio.gr\" \/>\n<meta property=\"og:description\" content=\"Things\u00a0keep getting better\u00a0for Netflix\u2019s\u00a0Queer Eye: Season two of the\u00a0critically praised makeover series is officially a go, Vulture has learned. The streaming giant will officially announce the renewal Monday, along with second seasons for the Nicole Byer\/Jacques Torres-hosted baking competition\u00a0Nailed It!\u00a0and three other docu-series (Dope,\u00a0Drug Lords, and\u00a0The Toys that Made Us). 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The streaming giant will officially announce the renewal Monday, along with second seasons for the Nicole Byer\/Jacques Torres-hosted baking competition\u00a0Nailed It!\u00a0and three other docu-series (Dope,\u00a0Drug Lords, and\u00a0The Toys that Made Us). 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