{"id":80980,"date":"2018-04-15T23:05:07","date_gmt":"2018-04-15T20:05:07","guid":{"rendered":"https:\/\/ngradio.gr\/?p=80980\/"},"modified":"2018-04-16T23:16:22","modified_gmt":"2018-04-16T20:16:22","slug":"james-mcavoy-alicia-vikander-form-deep-connection-submergence-clip","status":"publish","type":"post","link":"https:\/\/ngradio.gr\/en\/news-el\/entertainment\/james-mcavoy-alicia-vikander-form-deep-connection-submergence-clip\/","title":{"rendered":"James McAvoy and Alicia Vikander form a deep connection in Submergence clip"},"content":{"rendered":"<p><iframe src=\"\/\/players.brightcove.net\/219646971\/default_default\/index.html?videoId=5769287128001\" width=\"300\" height=\"150\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>\u201cI love the smell of sweat.\u201d<\/p>\n<p>It\u2019s a strange pick-up line, but it works for Dani (Alicia Vikander) when she meets James (James McAvoy) at a French seaside hotel and they begin an intense romance in the new Wim Wenders drama\u00a0<em>Submergence<\/em>\u00a0(in theaters today). Dani is a deep-diving marine scientist, and James is a spy who goes to Somalia and is captured by jihadist fighters, and as the two risk their lives for their work, they must hold on to their memories of each other.<\/p>\n<p>In the exclusive clip above, we witness the couple\u2019s first meeting, before their lives begin to unravel. With the character of James, McAvoy adds another soldier\/spy to his docket (<em>Atomic Blonde<\/em>,<em>\u00a0Atonement<\/em>), and EW called him up to get the low-down on what keeps calling him back to these roles, how the similarities and differences between them inform his work, and the challenges of playing a character who faces repeated psychological abuse.<\/p>\n<p><strong>ENTERTAINMENT WEEKLY: What led you to\u00a0<em>Submergence<\/em>\u00a0and made you want to sign on?<\/strong><br \/>\n<strong>JAMES MCAVOY:<\/strong>\u00a0The idea of working with Wim [Wenders] was a big one. Directors are really important, but I\u2019ve always been wooed and swung by the quality of the writing and the character more than anything else. If the character\u2019s interesting, I even forgive a lot of bad writing. This time the thing that really drew me to it was working with Wim \u2014 him being such a singular filmmaker and bravely off-beat filmmaker. Someone who\u2019s managed to continue being like that through decades. He\u2019s never really gone to director jail. He\u2019s just a really interesting man, more than an interesting director.<\/p>\n<p>Then I read the script, and I thought it was a pretty audaciously cerebral and metaphysical and geopolitical love story. I thought that was all really weird and interesting and complicated stuff to try and get right, and I was up for it. I\u2019m always up for an adventure \u2014 going to all the places we would have to go to make this film, which were many. I\u2019m not religious myself, but I really was attracted to my character\u2019s faith, which struck a very non-cynical chord with me. The thing we seem to be seeing a lot at the moment with spies, which is great, is a kind of cynicism, a knowing, looking at it askew, very self-aware and self-critical kind of way, almost a self-defeatist way. Whereas James, who I play, was full of faith in his God and in his country, in his fellow man, and in the idea of love and the idea of social justice. At the same time, he was trying to fight jihadism and fundamentalism. Yet, at his core, he was sort of an open fundamentalist himself: He had a fundamental belief in the goodness of his fellow man, and then the goodness of the greater power he chose to believe in. Which was interesting, even though I\u2019m completely non-religious myself and I\u2019m kind of anti-religious a lot of the time \u2014 but I found it really interesting playing him.<\/p>\n<p><strong>It\u2019s definitely a stark departure from a spy like David in\u00a0<em>Atomic Blonde<\/em>.<\/strong><br \/>\nYeah. James and David are polar opposites, really. Nuclear opposites.<\/p>\n<p><strong>You\u2019ve played a soldier and a spy at various junctures over the years, but was there anything you revisited, or more specific research you did for this role in particular?<\/strong><br \/>\nEverything I researched on playing spies in\u00a0<em>Atomic Blonde<\/em>\u00a0led very brilliantly and conveniently into playing that guy in\u00a0<em>Atomic Blonde<\/em>. Quite a lot of intelligence agencies would recruit people who were disposal or dispensable or just wouldn\u2019t last very long, so a lot of alcoholics and a lot of drug addicts, things like that. High-functioning alcoholics and drug addicts, but people who might not make it past 50. Whereas when I came to James, all that was not very useful. The interesting thing about James is he is more of a soldier than a spy. He sees himself as a soldier, and he was, in fact, a solider. Although he describes it as a mistake of youth, I think he is still at heart a soldier. He\u2019s a true believer, and he is a product of his institutionalization and his indoctrination a little bit more than somebody like [<em>Atomic Blonde<\/em>\u2019s] David, who is more of a casualty of his institution and his indoctrination.<\/p>\n<div class=\"component inline image margin-16-top margin-24-bottom\">\n<div class=\"image-wrapper\">\n<div class=\"component lazy-image no-upscale rendered\" data-src=\"https:\/\/ewedit.files.wordpress.com\/2017\/07\/submergence_01.jpg\" data-alt=\"\" data-width=\"1024\" data-height=\"683\">\n<div class=\"inner-container js-inner-container\">\n<div class=\"image-overlay\"><\/div>\n<p><img decoding=\"async\" src=\"https:\/\/imagesvc.timeincapp.com\/v3\/mm\/image?url=https%3A%2F%2Fewedit.files.wordpress.com%2F2017%2F07%2Fsubmergence_01.jpg&amp;w=1100&amp;q=85\" alt=\"\" \/><\/div>\n<div class=\"image-wrap-container clearfix\">\n<div class=\"credit body-credit padding-8-top padding-8-bottom\">Courtesy of TIFF<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<p><strong><em>Submergence<\/em>\u00a0has quite a harsh dichotomy between your more romantic scenes with Alicia and the war\/torture scenes in Africa. How did you balance those?\u00a0<\/strong><br \/>\nWhat was difficult was actually trying not to separate. The important thing was to try and feel the agony of the torture in those moments in France \u2014 not trying to mold them or bring them into the choices we were making, but just to know the choices we were going to be making as storytellers were going to be influenced by choices we had yet to make. It was a bit more of a jigsaw than usual, and trying to feel all of those elements at once, that was a challenge more than trying to keep them separate.<\/p>\n<p><strong>Did it bring you back at all to\u00a0<em>Atonement,<\/em>\u00a0which has a similar sort of juxtaposition?<\/strong><br \/>\nJames, to me, felt a bit like a Robbie character in that he\u2019s kind of an ideal goody guy. He\u2019s maybe got a bit more of a sense of humor than Robbie, but I think Robbie had a sense of humor until it got ripped out of him by Briony Tallis. They\u2019re both sort of slightly idealized. I\u2019d say Robbie was even more idealized than James. James is a little bit privileged right from the beginning, and had probably more of a sense of entitlement than I think Robbie would have ever grown up to have if he\u2019d been allowed to grow up properly past the age of 22. There is a little bit of the na\u00efve, northern European about him, or the na\u00efve Westerner about him, as much as he should know better. That\u2019s because of his faith and his belief, not just in his God, but his country and all that kind of stuff. He believes in sacrifice. That was the great thing that united him and Dani, was not so much just romance or their minds. They were both people who were willing to sacrifice their lives for what they believed in, and therefore that put them in a very small percentage [of people] who are willing to give up their lives for something other than their children. That\u2019s a pretty on-edge, extreme type of person, and I don\u2019t know if that\u2019s the sort of person you want going into Somalia and trying to fix things.<\/p>\n<p><strong>You really get put through the wringer quite often on screen, and this was no exception. What was it like filming the more brutal scenes here? Why do you keep signing up to be quite literally tortured?<\/strong><br \/>\nI don\u2019t know. I don\u2019t mind the physical stuff. This film I had to lose quite a lot of weight quite quickly in the middle of the shoot, and that wasn\u2019t too hard. That was quite fun, actually. I still was able to eat quite a lot. It was a very interesting diet. That was fine. But it\u2019s more the psychological aspect of playing somebody who is repeatedly victimized and disempowered and abused. That is horrible, psychologically. I am really not somebody who takes their work home with them. I\u2019m really not somebody who lives the character. I don\u2019t say I become the character. I never do. But at the end of the day, it\u2019s just you there. There\u2019s no character there taking all the abuse. It\u2019s just you taking it, whether it\u2019s physical or psychological.<\/p>\n<p>I\u2019ve had it on one other occasion, playing the guy in\u00a0<em>Trance<\/em>. For a large portion of that film I was bullied and victimized and abused, belittled and all that. I hated that job because of it. I didn\u2019t hate the job, I just did not enjoy it. It was a real drag, and it really brought me down. It felt the same [here]. So much so that maybe three or four times during the shoot I had to get absolutely wrecked and partied way too hard, just to combat the weightiness I was experiencing from all the nastiness. They were nice guys \u2014 don\u2019t get me wrong. I got on really well with all the guys playing my torturers and my captors, and I had the same experience on\u00a0<em>Trance<\/em>. I still play football with one of the guys that was torturing me. It\u2019s not so much the physical side of things. I\u2019ve broken my hand on jobs. I\u2019ve broken my thumb on a different job. I broke my hand on another job. I got my eye split open on a job, and I\u2019ve had a great time. I certainly wouldn\u2019t do anything differently, but the psychological act of not just being physically tortured, but disempowered as a storyteller \u2014 that might be it more. You\u2019re not able to do anything active in the story because you\u2019re being a victim. You\u2019re just being a reactionary victim, and that is not the part of acting that I really enjoy. Maybe that\u2019s the reason I hated parts of its so much on both those films, was that you are hiding as an actor as a little bit, or just being there as a reactor, not an actor.<\/p>\n<p><strong>You would think something like playing Macbeth on stage would be just as psychologically taxing, but you\u2019re the one instigating it, so is it different?<\/strong><br \/>\nYeah, you\u2019re in charge of the story you\u2019re telling. You don\u2019t have to be big old brash lead, title character to do that. You can be a supporting character as long as you have the opportunity to tell your story and be actively in charge of telling your story. If the choices you make massively guide what happens to the audience and understanding of what your story\u2019s meant to be about, then that\u2019s okay, that\u2019s good. My bug, my itch is not to act. My bug and my itch is to tell stories.<\/p>\n<p>&nbsp;<\/p>\n<p>Source: ew.com<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u201cI love the smell of sweat.\u201d It\u2019s a strange pick-up line, but it works for Dani (Alicia Vikander) when she meets James (James McAvoy) at a French seaside hotel and they begin an intense romance in the new Wim Wenders drama\u00a0Submergence\u00a0(in theaters today). Dani is a deep-diving marine scientist, and ...<\/p>\n","protected":false},"author":6,"featured_media":80982,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[4545],"tags":[],"class_list":["post-80980","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-entertainment"],"acf":false,"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.8 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>James McAvoy and Alicia Vikander form a deep connection in Submergence clip - NGradio.gr<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/ngradio.gr\/en\/news-el\/entertainment\/james-mcavoy-alicia-vikander-form-deep-connection-submergence-clip\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"James McAvoy and Alicia Vikander form a deep connection in Submergence clip - NGradio.gr\" \/>\n<meta property=\"og:description\" content=\"\u201cI love the smell of sweat.\u201d It\u2019s a strange pick-up line, but it works for Dani (Alicia Vikander) when she meets James (James McAvoy) at a French seaside hotel and they begin an intense romance in the new Wim Wenders drama\u00a0Submergence\u00a0(in theaters today). 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