Foo Fighters<\/a>, who released the strong, Greg Kurstin-produced\u00a0Concrete and Gold<\/i>\u00a0in September. Twenty-three years into the band\u2019s career, Grohl talks about the shows like he\u2019s just getting started. \u201cIt\u2019s probably uncool to say,\u201d he says, \u201cbut honestly, I\u2019m just scanning the audience all night trying to get each and every one of them out of their seats. And if I get a whole audience standing for three hours, then I walk offstage like, \u2018That was a good show. We had them fucking jamming.\u2019’\u201d<\/p>\nSo how much coffee have you had today?
\n<\/b>Maybe six cups. A reasonable amount to get my day started.<\/p>\n
You were having caffeine-induced chest pains. Any plans to cut back?
\n<\/b>You realize you\u2019re talking to someone that\u2019s never done cocaine in his life. You can only imagine what would happen if I got my face in a pile of that shit. We wouldn\u2019t be on the phone right now. But after I got my diagnosis that I should decaffeinate, I tried decaf for, like, a week, and I came to the conclusion that decaf blows.<\/p>\n
Have you attempted to quit smoking?
\n<\/b>You know, I quit smoking. I kind of go back and forth. I get on it and then I get off it and then I get on it and I get off it. I was off for eight years and then I got on it and then I was off it for years. With quitting anything, you have to have that gut feeling that turns into, you know, like a physical epiphany where you\u2019re just like, \u201cOof, this is not good.\u201d I remember I actually quit smoking in Nashville, ten years ago just from feeling like shit on the road and it took. It really lasted a long time.<\/p>\n
How do you feel about seeing classic-rock acts retire?
\n<\/b>I started thinking about it at the 12\/12\/12 concert, where you had all the greats \u2014 McCartney, the Stones, the Who, Roger Waters. And most of those people came from a specific time frame. I was thinking, \u201cWell, God. Does that mean at some point there\u2019s going to be that window closing, and it\u2019s gonna dissipate really quickly?\u201d<\/p>\n
Have you grappled with the idea that you guys \u2013 and bands like Pearl Jam and Guns N\u2019 Roses \u2013 will be stepping into their shoes to an extent?
\n<\/b>I would never put ourselves in that category or that echelon. But it\u2019s weird. First of all, I can\u2019t believe we\u2019re still a band [after] 20-whatever years. And I can\u2019t believe we\u2019re playing arenas and stadiums. And that it\u2019s gotten to this point where I look out at the audience and I don\u2019t just see Foo Fighters T-shirts anymore. I see people in their sixties and seventies. I see kids that are 10 years old, teenagers, and it seems to me that when we come to town, people hear there\u2019s a rock show and they just come on out. So we\u2019ve gotten to the point where I think that we represent something\u2009.\u2009.\u2009.\u2009um\u2009.\u2009.\u2009.\u2009general [laughs]. You know?<\/p>\n
And what does reaching that point mean to you?
\n<\/b>The band is such a huge part of our lives, but not the\u00a0only<\/i>\u00a0part of our lives. So, when we\u2019re out here doing it, we\u2019re focused on what we have to do every night. I don\u2019t think anyone\u2019s really taken the grand scheme into consideration. In fact, okay, I mean I know I have to be down in the lobby in 45 minutes. So, I gotta pack my bag, I gotta take a shower, I gotta get down to the bus, I gotta go over to the gig, and then I gotta read a setlist, then I have to have a Coors Light, get up on stage and play for three hours, then I have to walk off stage and eat a piece of pizza and get in my bunk. Like, that\u2019s all I\u2019m focused on right now. [laughs] And there\u2019s so many great rock and roll bands that I feel have the same opportunity that we had. The path isn\u2019t overgrown. There are bands that can still do it. I mean, don\u2019t you imagine that at some point the Arctic Monkeys will be doing the same thing? I bet they will. I was just texting with a friend of mine from Cage the Elephant. I would imagine at some point, they\u2019ll be in the same position.<\/p>\n
You played with Tom Petty. That\u2019s a loss everyone\u2019s still feeling.
\n<\/b>I know. That was a tough one. I saw him maybe a week before he died. I saw his last show, and and it was wonderful. It was exuberant and beautiful and happy and sounded amazing and the band was better than I had seen them in a long time and \u2026 and then he\u2019s gone. It\u2019s hard to believe he\u2019s gone, but fortunately we have his music. That was a real tough one. That one hurt a lot.<\/p>\n
Listening to the new album, it feels like Greg Kurstin really helped you push your arrangements farther than you\u2019ve ever gone. What did you learn from him?
\n<\/b>Oh, my God. He is without a doubt the most talented musician slash producer I have ever met in my entire life. I honestly would put him up there with Brian Wilson or George Martin. It sounds insane, but I am not kidding. He can [co-]write and arrange a song as simple as \u201cHello\u201d by Adele or make the most fucked up Beck song you\u2019ve ever heard in your life. You can watch him draft and demo a quartet string arrangement in about eight minutes. All the strings and the harmonies in \u201cThe Sky Is A Neighborhood,\u201d that crazy fucking\u00a0Fantasia\u00a0<\/i>Disney section? He did that in about five minutes. And you listen and you\u2019re like, \u201cWhat fucking planet are you from, man? \u201d I thought it would be exciting to work with him because typically with the Foo Fighters, we don\u2019t really work with people we don\u2019t know. I had known Greg for a few years before we went in to make the record and I only met him because I recognized him from the band that he\u2019s in, the Bird and the Bee. I didn\u2019t even know he was a fucking producer. But I thought, you know, since he\u2019s a friend and since he [won] producer of the year, why not still make a rock record? Which he had never done.<\/p>\n
When you\u2019re trying to make melodic hard rock, the two things can sometimes clash. What do you do to try to achieve some balance?
\n<\/b>Well, it always starts with the melody. Always. So, all of those songs were written on an acoustic guitar. I mean whether it\u2019s \u201cRun\u201d or \u201cSky Is A Neighborhood,\u201d any of those. They were written on an acoustic and before I even take it to the next step, I make sure that they\u2019d have some sort of melody braided around the riff. Noise is easy. I have to be honest. Like, I know that people are, you know, romanced by the idea of noise and drone, but the fucking challenge really is making something that\u2019s simple with melody. And then it changes live. Like, I was listening to the studio version of one of our songs the other day that we play every night and I was just like, \u201cOh, my god, that sounds so tame.\u201d Because then when we get out on stage, it\u2019s just like a fucking bulldozer. And it\u2019s a three hour show, so the 45 minutes we\u2019re going on I feel like, \u201cOh, god. I gotta run this fucking marathon again.\u201d And the first five or six songs, we don\u2019t even stop. I don\u2019t even say hello until we\u2019re an hour into the show, and that\u2019s when it starts to get fun. We just do what we do. I don\u2019t really know how to do anything else.<\/p>\n
You recently called Lil Pump the new punk rock. What do you actually like about \u201cGucci Gang\u201d?
\n<\/b>Pat Smear and I had this conversation as we both became huge fans of Lil Pump, because imagine playing a Germs record for your father who was a classically trained musician. What do you think he would think? When I was a kid listening to punk rock, all I wanted was noise and rebellion, whether it was satanic death metal or industrial noise. If anybody dug into my record collection then, it\u2019s like, \u201cThis is noise!\u201d I love a good trap beat and a nice 808. And one of the things I love the most about \u201cGucci Gang\u201d is it\u2019s two minutes long. It\u2019s like a DRI song or a Minor Threat song. Look, I\u2019m not going out and getting face tattoos anytime soon, but if [Lil Pump\u2019s] \u201cD Rose\u201d comes on, I am down.<\/p>\n
What\u2019s going on with a second season of Sonic Highways?
\n<\/b>Well, we\u2019ve been working on it for six years now, and\u2009.\u2009.\u2009.\u2009I\u2019m kidding. That door is always open. And a lot of great things have stemmed from that series. There are now kids in schools across the country making their own Sonic Highways about the little towns where they live. I still have the concept for the second season, so, someday.<\/p>\n
The night of Nirvana\u2019s Rock and Roll Hall of Fame induction, you and Krist played an all-star show of Nirvana songs at a tiny club in Brooklyn \u2013 and you filmed it all. What\u2019s going to happen with that footage?
\n<\/b>I don\u2019t know. When we realized that we were going to do it, I just called the people from my production company and said, \u201cWe need to film this,\u201d and we loaded some cameras in there and and shot it without knowing what would ever come of it. But it would be a shame for that evening to be only a memory and and we\u2019ve got it. And it was fucking great. It was cathartic and everybody involved, I think, understood that they were part of something like a dream.. I remember playing and looking and seeing Carrie Brownstein in the front row in the pit singing along to every song and, you know, getting to play drums behind Joan Jett or, god, playing \u201cSchool\u201d or fucking \u201cPennyroyal Tea\u201d with J Mascis. It really was amazing. It was something else. Someday, I\u2019m sure everybody\u2019ll see it.<\/p>\n
When you play, say, \u201cEverlong,\u201d are you still connecting with the original emotion behind it?
\n<\/b>Oh, yeah. There are nights where you\u2019re thinking about what toppings are on the pizza on the bus and whether you need to do laundry tomorrow, but when you launch into a song like that, it immediately brings you back. We\u2019re not robots. What chokes me up is when I see people singing lyrics back to me with the same emotion. So if you hear me kind of giggling in the middle of a song, it\u2019s because I\u2019m trying not to just fucking totally break down in front of everybody like a fool [laughs].<\/p>\n
\u201cThere are nights where you\u2019re thinking about what toppings are on the pizza on the bus. But when you launch into a song like \u2018Everlong,\u2019 it immediately brings you back.\u201d<\/p>\n
Neil Peart is retired. What would you do if Geddy Lee and Alex Lifeson asked you to play drums for Rush on a tour?
\n<\/b>I would say, \u201cI\u2019m not physically or musically capable, but thanks for the offer.\u201d Neil Peart, that\u2019s a whole other animal, another species of drummer. I know the arrangements, but I\u2019m like Meg White to Neil Peart. And she\u2019s one of my favorite drummers! She\u2019s my daughter\u2019s favorite drummer, too. My daughter plays drums to two types of music: White Stripes and AC\/DC. I\u2019m like, \u201cThat\u2019s exactly what you need to be doing.\u201d<\/p>\n
Questlove had a lot of praise for Meg when I talked to him recently \u2013 he was explaining how she plays ahead of the beat in a really interesting way.
\n<\/b>She is one of those drummers that if you hear 15 seconds of her recording, you\u2019ll know who it is and\u00a0that<\/i>\u00a0to me has always been the gold standard. That\u2019s always been the challenge. You want to know when you hear it, like, you\u2019re like, \u201cOh, that\u2019s John Bonham. Oh, that\u2019s Charlie Watts. That\u2019s Ringo. That\u2019s Stewart Copeland. That\u2019s Meg White.\u201d And that\u2019s not easy to do. That means you\u2019re playing from the heart. No, she\u2019s great, man. I mean honestly. Like the doorbell song [\u201cMy Doorbell\u201d]? Ugh. Come on. One of my favorite drum beats of all time. That\u2019s a classic. It\u2019s a riff. You know? It\u2019s songwriting, but with sticks in your hands. It\u2019s fucking great.<\/p>\n
Finally, I was reading an interview with your mom where she said that her biggest fear about you becoming famous was that \u201cMadonna would snatch him up.\u201d Did she ever express that to you?
\n<\/b>Yes. She did, actually. [laughs] Like, right around the\u00a0Truth or Dare<\/i>\u00a0movie. \u201cI don\u2019t want you to date\u00a0her.<\/i>\u201d I\u2019m like, \u201cMom, don\u2019t worry. As if.\u201d She\u2019s pretty funny. Gotta love your momma.<\/p>\n
<\/p>\n
Source:\u00a0rollingstone.com<\/p>\n
<\/p>\n","protected":false},"excerpt":{"rendered":"
The Foo Fighters frontman talks about everything from the glories of Meg White to the loss of Tom Petty and why he could never replace Neil Peart. Dave Grohl\u00a0had a day off in Memphis yesterday, so he dropped by Graceland, which got him thinking about Elvis Presley as just another ...<\/p>\n","protected":false},"author":6,"featured_media":84928,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[4547],"tags":[],"class_list":["post-84927","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-music-en"],"acf":false,"yoast_head":"\n
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