{"id":87339,"date":"2018-09-15T18:17:28","date_gmt":"2018-09-15T15:17:28","guid":{"rendered":"https:\/\/ngradio.gr\/?p=87339\/"},"modified":"2020-06-18T00:19:43","modified_gmt":"2020-06-17T21:19:43","slug":"years-oscar-race-poised-reward-films-good-popular","status":"publish","type":"post","link":"https:\/\/ngradio.gr\/en\/news-el\/entertainment\/years-oscar-race-poised-reward-films-good-popular\/","title":{"rendered":"This year\u2019s Oscar race is poised to reward films that are good *and* popular"},"content":{"rendered":"
\n

On the first day of the Toronto International Film Festival last week, the Academy of Motion Picture Arts and Sciences announced that the Oscars will table<\/a> the polarizing new category meant to honor the year\u2019s \u201coutstanding achievement in popular film.\u201d Good. The award isn\u2019t only misguided<\/a> \u2015 what makes a film popular, and why reward something on those grounds? \u2015 but also quite unnecessary, as the festival itself made clear.<\/p>\n<\/div>\n

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Many of the movies that premiered and screened in Toronto are crowd-pleasers destined to earn piles of cash\u00a0and\u00a0<\/em>offer the sort of skillful prestige the Oscars favor. Already I can pinpoint three awards front-runners with solid shots at revenue exceeding the coveted $100 million mark: \u201cA Star Is Born<\/a>,\u201d\u00a0\u201cFirst Man<\/a>\u201d and \u201cWidows<\/a>.\u201d<\/p>\n<\/div>\n

\n

All three have obvious selling points that could vault them into blockbuster territory. \u201cA Star Is Born\u201d is a beloved story exquisitely reimagined<\/a> by the uberfamous Bradley Cooper and Lady Gaga; \u201cWidows\u201d is an electrifying thriller<\/a> featuring an all-star cast led by Viola Davis; \u201cFirst Man,\u201d which reunites Ryan Gosling with \u201cLa La Land\u201d director Damien Chazelle, depicts Neil Armstrong\u2019s 1969 lunar journey \u2015 imagery that\u2019s seared into the American consciousness.<\/p>\n<\/div>\n

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If all goes well, these movies will hit the sweet spot between commercial success and artistic merit that the academy seems to think eludes its grasp. (Never mind that \u201cThe Shape of Water,\u201d a dreamy sci-fi romance with $195 million in worldwide grosses, scored this year\u2019s Best Picture trophy<\/a>.) \u201cStar,\u201d \u201cWidows\u201d and \u201cFirst Man\u201d are major studio releases distributed by Warner Bros., Fox and Universal, respectively, giving them the leverage needed to sail into the national zeitgeist long before fall\u2019s top awards are announced.<\/p>\n<\/div>\n

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\u201cA Star Is Born\u201d (opening Oct. 5) is the sort of movie people will see over and over, bringing three hankies with them each time. Gaga, among the world\u2019s most famous humans, brings fresh zeal to a role made increasingly famous by Janet Gaynor (1937), Judy Garland (1954) and Barbra Streisand (1976). As a rising pop star falling in love with an alcoholic rocker whose career is fading, she is indisputably and deservedly the year\u2019s Best Actress pacesetter, as likely to be nominated as Cooper is for acting and directing. In the technical fields \u2015 key to dominating the Oscars \u2015 Matthew Libatique should waltz into Best Cinematography for his inspired camerawork. \u201cStar\u201d has the added benefit of a soaring Gaga-heavy soundtrack that will be a major event on its own, making this a crossover affair capable of shining brightly enough to withstand the season\u2019s monthslong campaign slog.<\/p>\n

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\u201cFirst Man\u201d (opening Oct. 12) rockets into space with the help of proven Oscar darlings and a genre claiming plenty of box-office success stories (\u201cThe Martian,\u201d \u201cInterstellar\u201d and \u201cGravity,\u201d to name recent examples). Chazelle already has a Best Director accolade to his name for \u201cLa La Land,\u201d a movie that collected wins or nominations for several folks also involved with this intimate Armstrong biopic: Gosling, composer Justin Hurwitz, cinematographer Linus Sandgren, editor Tom Cross and costume designer Mary Zophres. \u201cFirst Man\u201d can\u2019t tout the same rah-rah sensation that made \u201cLa La Land\u201d so endearing, but it is a character study with more than enough technical flourishes to appeal to the academy\u2019s below-the-line branches.<\/p>\n<\/div>\n

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Of the three, \u201cWidows\u201d (opening Nov. 16) has the toughest bargain, if only because it can\u2019t boast the same familiarity as \u201cA Star Is Born\u201d or Neil Armstrong. But if Toronto\u2019s screenings were any indication, word of mouth will be fierce. Helmed by Steve McQueen, whose searing \u201c12 Years a Slave\u201d won Best Picture in 2014, it\u2019s a fist-pumping thrill ride about corruption, power and sexism, aided by a first-rate ensemble that includes Davis, Michelle Rodriguez, Cynthia Erivo, Elizabeth Debicki, Colin Farrell, Liam Neeson, Daniel Kaluuya (sure to be nominated for his menacing crime lord), Brian Tyree Henry, Carrie Coon, Jacki Weaver and Robert Duvall. McQueen and \u201cGone Girl\u201d dignitary Gillian Flynn are shoo-ins for the script they co-wrote, which rocks and rolls at an impeccable clip. And 11-time nominee Hans Zimmer scored the film, extending the A-list footprint that will make \u201cWidows\u201d the golden goose it deserves to be.<\/p>\n<\/div>\n

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\u201cA Star Is Born,\u201d \u201cWidows\u201d and \u201cFirst Man\u201d are as likely to earn Best Picture nominations as they would have been to contend in whatever the \u201cpopular film\u201d prize yielded, thereby nullifying the academy\u2019s cheap ploy to attract viewers who feel the Oscars are out of touch with mainstream taste after lower-grossing titles like \u201cMoonlight,\u201d \u201cSpotlight\u201d and \u201cThe Hurt Locker\u201d seized the big kahuna.<\/p>\n<\/div>\n

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This is the Best Picture contest we deserve: one that braids old-fashioned craftsmanship with soaring entertainment. (We haven\u2019t even discussed February\u2019s \u201cBlack Panther\u201d here, which still looms large in the Oscar conversation, likely to become the first superhero flick to land a Best Picture nod.)<\/p>\n<\/div>\n

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A few movies with less obvious commercial appeal \u2015 the aching Mexican drama \u201cROMA,\u201d the lovely biopic \u201cCan You Ever Forgive Me?,\u201d Barry Jenkins\u2019 \u201cMoonlight\u2019 follow-up \u201cIf Beale Street Could Talk,\u201d the delicious farce \u201cThe Favourite,\u201d the \u201960s-set buddy dramedy \u201cGreen Book\u201d \u2015 could storm through the race as the season swells. But for now, it looks like our leaders are films that check off every box the academy wants. What could be more agreeable than that?<\/p>\n<\/div>\n<\/div>\n

 <\/p>\n

Source:\u00a0huffingtonpost.com<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

On the first day of the Toronto International Film Festival last week, the Academy of Motion Picture Arts and Sciences announced that the Oscars will table the polarizing new category meant to honor the year\u2019s \u201coutstanding achievement in popular film.\u201d Good. The award isn\u2019t only misguided \u2015 what makes a ...<\/p>\n","protected":false},"author":6,"featured_media":87340,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[4545],"tags":[46],"class_list":["post-87339","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-entertainment","tag-oscar"],"acf":false,"yoast_head":"\nThis year\u2019s Oscar race is poised to reward films that are good *and* popular - NGradio.gr<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/ngradio.gr\/en\/news-el\/entertainment\/years-oscar-race-poised-reward-films-good-popular\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"This year\u2019s Oscar race is poised to reward films that are good *and* popular - NGradio.gr\" \/>\n<meta property=\"og:description\" content=\"On the first day of the Toronto International Film Festival last week, the Academy of Motion Picture Arts and Sciences announced that the Oscars will table the polarizing new category meant to honor the year\u2019s \u201coutstanding achievement in popular film.\u201d Good. 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