{"id":91401,"date":"2018-12-23T02:33:49","date_gmt":"2018-12-23T00:33:49","guid":{"rendered":"https:\/\/ngradio.gr\/?p=91401\/"},"modified":"2018-12-23T02:33:49","modified_gmt":"2018-12-23T00:33:49","slug":"ranking-dc-films-worst-wonder-woman","status":"publish","type":"post","link":"https:\/\/ngradio.gr\/en\/news-el\/entertainment\/ranking-dc-films-worst-wonder-woman\/","title":{"rendered":"Ranking The DC Films, From Worst to… ‘Wonder Woman’?"},"content":{"rendered":"
hen it comes to superhero movies, Marvel and its Cinematic Universe has been something to gawk at. With 15 films under its interconnected belt, Marvel\u2019s been able to drop a range of movies from mid to marvelous in an eight-year span. Those are far from the first Marvel movies, though;\u00a0Blade<\/em>\u00a0was seen as its true boon back in a decade before\u00a0Iron Man<\/em>flew into the scene, and they were dropping terrible Punisher film adaptations as far back as 1989 (word to Dolph Lundgren). While DC might have been a bit late to the Cinematic Universe party, the DC Extended Universe received its first success in the form of\u00a0Wonder Woman<\/em>, which has murdered all expectations for DC films while sweeping up millions at the box office. Sadly, they\u2019d been in the movie business proper since the late 1970s.DC\u2019s seen some amazing successes; Michael Keaton\u2019s first Batman flick was a behemoth for kids at the cinema, and before him, there was Christopher Reeve becoming Superman. Sadly, as bad as Marvel\u2019s entire movie track record could get at times, DC might have had it worse. In looking back at the 20 films that you can consider proper DC superhero films, they\u2019ve shit the bed on a number of occasions.Today, in the spirit of seeing how far DC has come cinematically, here\u2019s the definitive ranking of DC Comics\u2019 superhero films, from worst to\u00a0Wonder Woman<\/em>*.<\/p>\n

*OK, so we all know that\u00a0Wonder Woman<\/em>\u00a0isn\u2019t No. 1, but that HED is too fire not to use.<\/p>\n<\/section>\n

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22. SUPERMAN IV: THE QUEST FOR PEACE (1987)<\/h2>\n<\/blockquote>\n<\/div>\n<\/section>\n
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\"Superman<\/a>
Image via Warner Bros\/Cannon Films<\/figcaption><\/figure>\n<\/div>\n<\/div>
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Director<\/strong>: Sidney J. Furie
\nStarring<\/strong>:\u00a0Christopher Reeve, Gene Hackman, Margot Kidder<\/span><\/p>\n

I\u2019m old enough to remember when this movie came out and my fondest childhood memories are of how trash it was. Sure, Superman\u2019s quest to end nuclear threats from the world is noble and reflective of the cold war era of the times, but the film\u2019s plot, special effects, and characters are laughable. The big bad here is Nuclear Man, a blonde clone of Superman born from an atomic explosion in space and is armed with radioactive claws that look like Lee Press On Nails. Since Nuclear Man basically falls into a coma without sunlight, our hero decides to trap him in an elevator and place it on the dark side of the moon as a way to defeat this WWF reject. I can\u2019t make this stuff up or waste any more precious brain cells recalling details of this train wreck. Getting the final slot on a list of ranked DC movies is no easy task given the comic brand\u2019s abundance of bad theatrical projects over the years, but\u00a0Superman IV: The Quest for Peace\u00a0<\/em>lands here in a single bound faster than a speeding kryptonite bullet. \u2014Anslem Samuel Rocque\u00a0<\/em><\/span><\/p>\n<\/div>\n<\/section>\n

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21. GREEN LANTERN (2011)<\/h2>\n<\/blockquote>\n<\/div>\n<\/section>\n
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\"Green<\/a>
Image via Warner Bros.<\/figcaption><\/figure>\n<\/div>\n<\/div>
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Director<\/strong>:\u00a0Martin Campbell\u00a0<\/span>
\nStarring<\/strong>:\u00a0Ryan Reynolds, Blake Lively, Peter Sarsgaard<\/span><\/p>\n

Let\u2019s be real:\u00a0The Green Lantern<\/em>\u00a0is a B-level comic book character at best. He\u2019s basically a guy with a silly name and an even sillier power; a magic ring that can manifest anything he can think of. Too bad no one involved in the making of the film could think of a better script. Ryan Reynolds, who plays Hal Jordan\/Green Lantern, gives an earnest performance that shows his potential to captivate audiences with his charm and quick wit but that\u2019s the only bright spot in this cheesy production, which centers on the premise of will power vs. fear. The fact that all of the costumes here are created using CGI explains why this film cost $200 million to make, but the resulting animated look was more Roger Rabbit than Steve Rogers. Thankfully, Reynolds bounced back with 2016\u2019s\u00a0Deadpool<\/em>, but the\u00a0Green Lantern<\/em>\u00a0was so bad it could have meant lights out on the star\u2019s comic book movie career forever. \u2014Anslem Samuel Rocque \u00a0<\/em><\/span><\/p>\n

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20. CATWOMAN (2004)<\/h2>\n<\/blockquote>\n<\/div>\n<\/section>\n
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\"Catwoman\"<\/a>
Image via Warner Bros.<\/figcaption><\/figure>\n<\/div>\n<\/div>
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Director<\/strong>: Pitof
\nStarring<\/strong>:\u00a0Halle Berry, Sharon Stone, Benjamin Bratt\u00a0<\/span><\/p>\n

Casting an Oscar-winning actress of color in a film based on an iconic comic book character sounds like a great idea on paper. Not only is it a win for diversity, but it also has the potential of opening the door for more female-led superhero films. In practice, however,\u00a0Catwoman<\/em>\u00a0was an utter disaster. Halle Berry overacted her way through 104 excruciating minutes of a forgettable script that followed the evolution of Patience Phillips from a meek graphic designer to a confident, leather-clad sex kitten. Look no further than the bizarre\u00a0one-on-one basketball scene<\/a>between Patience and Benjamin Bratt\u2019s Tom Lone to see why the only Catwoman we acknowledge is Pfeiffer (and Eartha Kitt #RIP). \u2014Anslem Samuel Rocque \u00a0\u00a0<\/em><\/span><\/p>\n

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19. STEEL (1997)<\/h2>\n<\/blockquote>\n<\/div>\n<\/section>\n
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\"Steel<\/a>
Image via Warner Bros\/DC Entertainment<\/figcaption><\/figure>\n<\/div>\n<\/div>
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Director:\u00a0<\/strong>Kenneth Johnson
\nStarring:\u00a0<\/strong>Shaquille O\u2019Neal, Judd Nelson, Annabeth Gish<\/p>\n

If you can imagine Robocop as Black, over 7-feet tall, and carrying a giant sledgehammer then you have a pretty good idea who Steel is. He may not be one of DC\u2019s most notable heroes, but music veteran Quincy Jones was a fan of the character and bankrolled a theatrical adaptation, starring Shaquille O\u2019Neal as John Henry Irons (aka Steel). In addition to Judd Nelson and Annabeth Gish, the cast also included Richard \u201cShaft\u201d Roundtree and\u00a0Hill Harper rockin\u2019 an eye patch<\/a>. Oh, and wait\u2026 isn\u2019t that Brandy\u2019s brother? Why, yes that is Ray J. Needless to say, cheesy one-liners and melodrama abound as Shaq clunks across the screen in a suit of armor. \u2014Anslem Samuel Rocque<\/em><\/p>\n<\/div>\n<\/section>\n

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18. SUPERMAN III (1983)<\/h2>\n<\/blockquote>\n<\/div>\n<\/section>\n
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\"Superman<\/a>
Image via Warner Bros\/Dovemead Films<\/figcaption><\/figure>\n<\/div>\n<\/div>
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Director<\/strong>:\u00a0Richard Lester<\/span>
\nStarring<\/strong>:\u00a0Christopher Reeve, Richard Pryor, Margot Kidder\u00a0<\/span><\/p>\n

As a Richard Pryor fan, it has to be said: the last thing a Superman movie needed was Richard fucking Pryor. While not the worst Superman film,\u00a0Superman III\u00a0<\/em>was pretty close. It\u2019s sad, considering how epic the second Superman movie was, but with no Lois Lane, no Lex Luthor, and a whole mess of campy, bumbling Richard Pryor moments surrounding by a limp story, this flick falls flat on its face. What\u2019s wild is it\u2019s STILL not the worst Superman film, which took some work.\u2014khal<\/em><\/p>\n

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17. SUPERGIRL (1984)<\/h2>\n
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\"Supergirl\"<\/a>
Image via Warner Bros\/Artistry Limited<\/figcaption><\/figure>\n<\/div>\n<\/div>
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Director:<\/strong>\u00a0Jeannot Szwarc<\/span>
\nStarring:\u00a0<\/strong>Helen Slater, Faye Dunaway, Peter O’Toole<\/span><\/p>\n

Despite holding down a reputation as one of the OG superhero swings studios began to take in the late \u201870s and early \u201880s, Supergirl gives the unmistakable impression of a product, rather than a film of its own. Heavily tracing the conventions first established with Christopher Reeve\u2019s classic (if inconsistent) Superman films,\u00a0Supergirl<\/em>\u00a0still can\u2019t help but take shots at its own genuine optimism, preferring to play the action with a wink, rather than risk its high-flying hero look silly. The problem? No one quite seems to know what bits of the movie deserve a little clowning and which need their cape-billowing enthusiasm to keep the action afloat. For all its high-flying pursuits (including a gloriously hammy Faye Dunaway),\u00a0Supergirl<\/em>\u00a0just never manages to get off the ground. \u2013\u00a0Aubrey Page<\/em><\/span><\/p>\n

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16. SUICIDE SQUAD (2016)<\/h2>\n<\/blockquote>\n<\/div>\n<\/section>\n
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\"Suicide<\/a>
Image via Warner Bros\/Atlas Entertainment<\/figcaption><\/figure>\n<\/div>\n<\/div>
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Director:<\/strong>\u00a0David Ayer\u00a0<\/span>
\nStarring:<\/strong>\u00a0Will Smith, Jared Leto, Margot Robbie\u00a0<\/span><\/p>\n

Trying to cohesively introduce nine main characters in one film is no easy task; just look at writer\/director David Ayer\u2019s\u00a0Suicide Squad<\/em>\u00a0for proof. Don’t let the trailer or the Oscar win for Best Makeup and Hairstyling fool you, everything you\u2019ve heard about the antihero mashup is true: Margot Robbie as Harley Quinn is the best thing you\u2019ll see on the screen, there\u2019s not enough Joker, and the script is choppy AF. After giving succinct backstories on a handful of the Squad, the movie inexplicably leapfrogs to their first mission and randomly drops off new additions to the team without much context of who they are and why we should care. One member dies soon after everyone meets him and another immediately turns heel and becomes the central antagonist. Despite having a runtime over two hours long, the film feels rushed and incomplete. It\u2019s like someone spilled a deck of cards with DC characters faces on it and the filmmaker just picked up a couple at random and ran with it. \u2014Anslem Samuel Rocque\u00a0<\/em><\/span><\/p>\n

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15. JUSTICE LEAGUE (2017)<\/h2>\n<\/blockquote>\n<\/div>\n<\/section>\n
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\"Justice<\/a>
Image via Warner Bros.<\/figcaption><\/figure>\n<\/div>\n<\/div>
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Director<\/strong>:\u00a0Zack Snyder
\nStarring<\/strong>:\u00a0Ben Affleck, Henry Cavill, Gal Gadot<\/p>\n

Zack Snyder’s final DCEU film had a cloud of doubt hanging over it. It was the first time that DC’s heroes would form like\u00a0Voltron<\/s>\u00a0The Avengers on-screen to save the world…again. What ended up happening is moviegoers were given another dark, brooding DC film, for good or ill. For a series that has some of the oldest comic book characters on the planet, you couldn’t help but feel like this was DC chasing after the success of Marvel without doing the proper foundation-building beforehand. Heroes like Aquaman\u00a0and The Flash kept viewers intrigued for some of the ideas DC has down the pipeline, but CGI’d\u00a0Supermustaches and the thought that this film (which Snyder left after a family emergency only to have Joss Whedon\u00a0finish it up in post) left a lot of it’s meat on the cutting room for turned into a major disappointment for critics and stans alike.\u00a0\u2014khal<\/em><\/p>\n<\/div>\n<\/section>\n

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14. BATMAN & ROBIN (1997)<\/h2>\n<\/blockquote>\n<\/div>\n<\/section>\n
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\"Batman<\/a>
Image via Warner Bros.<\/figcaption><\/figure>\n<\/div>\n<\/div>
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Director:\u00a0<\/strong>Joel Schumacher<\/span>
\nStarring:\u00a0<\/strong>George Clooney, Uma Thurman, Chris O’Donnell, Alicia Silverstone, Arnold Schwartznegger<\/span><\/p>\n

Oh man, shouldn\u2019t mega babe and newly minted billionaire George Clooney be a great Batman? In 1997, his life practically oozed all things Bruce Wayne realness\u2014but with Joel Schumacher\u2019s disastrous\u00a0Batman & Robin<\/em>\u00a0(now infamous for \u201cbat-nipples\u201d)\u2014Clooney became a one and done in the batsuit. It\u2019s campy, over the top and overly crammed with characters (from Chris O\u2019Donnell\u2019s earnest Robin to Uma Thurman\u2019s slinky Poison Ivy). While it\u2019s widely accepted as one of the worst movies of all time, at least it\u2019s interesting, and as Schumacher\u00a0recently said in an interview<\/a>\u00a0with\u00a0GQ<\/em>, \u201cI never thought it was an important moment in gay cinema, but hey, I\u2019ll take it.\u201d I mean it\u2019s certainly the gayest Batman film out\u2014and that\u2019s pretty great, even if it’s pretty bad. \u2014Kerensa Cadenas<\/em><\/span><\/p>\n

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13. BATMAN V SUPERMAN: DAWN OF JUSTICE (2016)<\/h2>\n<\/blockquote>\n<\/div>\n<\/section>\n
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\"Batman<\/a>
Image via Warner Bros\/Atlas Entertainment<\/figcaption><\/figure>\n<\/div>\n<\/div>
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Director:\u00a0<\/strong>Zack Snyder
\nStarring:\u00a0<\/strong>Ben Affleck, Henry Cavill, Gal Gadot, Amy Adams<\/span><\/p>\n

$250 million, and this is what we get? Worth it possibly just for the deluge of Sad Affleck memes the movie\u2019s trash reviews spawned,\u00a0Batman v Superman<\/em>\u00a0remains one of the most embarrassing and high profile cinematic failures of recent years. Already flirting with possible classic status thanks to the movie\u2019s epic title alone, the second film in Zack Snyder\u2019s DCEU did little else but squander the promise of its title, as it sloppily ticked off one DC Comics\u2019 most iconic storylines (the Death of Superman) in the process. Poorly paced and nearly incoherently edited,\u00a0Batman v Superman<\/em>\u00a0concludes with one of the more boring \u201cCG go smash\u201d final sequences on this list. Luckily, the film\u2019s cast keeps even the most inexplicable plot decisions from seeming too outlandish: Ben Affleck makes for intriguing new take on the dark knight, Henry Cavill remains a serviceable Superman, and Gal Gadot makes her Wonder Woman debut to sparkling effect. (I\u2019ll let you decide on your own about Jesse Eisenberg\u2019s Lex Luthor.) All in all,\u00a0Batman v Superman<\/em>\u00a0is one super mess \u2013 and one that\u2019s got me seriously concerned about\u00a0Justice League<\/em>. \u2013\u00a0Aubrey Page<\/em><\/span><\/p>\n

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12. SUPERMAN RETURNS (2006)<\/h2>\n<\/blockquote>\n<\/div>\n<\/section>\n
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\"Superman<\/a>
Image via Warner Bros.<\/figcaption><\/figure>\n<\/div>\n<\/div>
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Director:<\/strong>\u00a0Bryan Singer
\nStarring:\u00a0<\/strong>Brandon Routh, Kate Bosworth, Kevin Spacey<\/span><\/p>\n

Honestly, I sort of forgot that this existed. Aesthetically, it\u2019s all there in Brandon Routh\u2019s chiseled jaw, Kate Bosworth\u2019s mousy hair and Bryan Singer\u2019s superhero directing expertise. I\u2019m not quite sure what makes a superhero movie worse\u2014it being a total fucking mess or totally fucking boring. And\u00a0Superman Returns<\/em>\u00a0falls in the latter category. It tells the story of Superman returning back to earth after a long absence, finding that everything he left behind (including Lois Lane) has dramatically changed. So, the story like isn\u2019t that much of a disaster, but if you cast two people who lack charisma on their own (Routh and Bosworth), how are they even supposed to have chemistry with each other let alone as two iconic characters. So that leaves it all in the hands of Kevin Spacey as Lex Luthor, who as always is entertaining, but a Superman movie isn\u2019t a Superman movie without a mildly competent Superman. Take a nap on this one.\u2014Kerensa Cadenas<\/em><\/span><\/p>\n<\/div>\n<\/section>\n

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11. MAN OF STEEL (2013)<\/h2>\n<\/blockquote>\n<\/div>\n<\/section>\n
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\"Man<\/a>
Image via Warner Bros.<\/figcaption><\/figure>\n<\/div>\n<\/div>
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Director:\u00a0<\/strong>Zack Snyder
\nStarring<\/strong>:\u00a0Henry Cavill, Amy Adams, Michael Shannon<\/span><\/p>\n

Coming seven years after the head-scratching\u00a0Superman Returns<\/em>, this do-over reboot gives the franchise a much-needed makeover. The classic origin story remains the same but instead of Clark Kent being nothing more than a straight-laced choirboy, Henry Cavill adds another layer to the character. Following the death of his adoptive father, Jonathan Kent, a guilt-ridden Clark embarks on a nomadic journey that ultimately gives him a slightly harder edge\u2014complete with a badass beard. The reluctant superhero is forced to step into the spotlight when General Zod, a military purist from Krypton, threatens to declare war on the entire planet. Superman and Zod face off in an epic battle that leaves Metropolis in ruins and ends in an anti-climatic if not uncharacteristic neck snapping that rubbed some fans the wrong way. It\u2019s not that\u00a0Man of Steel<\/em>\u00a0is a bad movie; it\u2019s just not that memorable. \u2014Anslem Samuel Rocque\u00a0<\/em><\/span><\/p>\n<\/div>\n<\/section>\n

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10. BATMAN FOREVER (1995)<\/h2>\n<\/blockquote>\n<\/div>\n<\/section>\n
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\"Batman<\/a>
Image via Warner Bros.<\/figcaption><\/figure>\n<\/div>\n<\/div>
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Director:<\/strong>\u00a0Joel Schumacher
\nStarring:\u00a0<\/strong><\/span>Val Kilmer, Tommy Lee Jones, Jim Carrey\u00a0<\/span><\/p>\n

Schumacher\u2019s tenure over the Batman franchise almost fatally ruined the superhero movie genre, sure. But it\u2019s cliche and basic to a. be derisive of them completely and b. lump the subsequent\u00a0Batman & Robin\u2019s<\/em>\u00a0failures in with Schumacher\u2019s first game at bat.\u00a0Batman Forever<\/em>\u00a0is goofy, yes, but admittedly: it\u2019s fun as fuck, dog. As tag-team villains The Riddler and Two-Face, Jim Carrey and a delightfully hammy Tommy Lee Jones split the scenery up 50\/50 and chew it like a pack of Bubblicious. Chris O\u2019Donnell\u2019s revenge subplot as Robin is genuinely compelling to give the film some balance that B&R would go on to lack\u2014where\u00a0Batman: the Animated Series<\/em>\u00a0was inspired by Burton\u2019s films,\u00a0Forever<\/em>\u00a0in turn feels like a homage to the homage. It\u2019s got pathos but also not afraid to wear the Saturday-morning cartoon of it all on its sleeve in a respectable way. Two-Face storms a gala at one point with goons and tommy guns only to have Batman leap in from the skylight. Riddler, incognito as a panicked civilian, turns to his fellow rogue and says \u201cYour entrance was good\u2014his was better.\u201d Add in Nicole Kidman as the most alluring and intelligent Batman film love interest second only to Vicki Vale and there is absolutely nothing to hate about this movie. \u2014Frazier Tharpe<\/em><\/span><\/p>\n<\/div>\n<\/section>\n

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9. AQUAMAN (2018)<\/h2>\n<\/blockquote>\n<\/div>\n<\/section>\n
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\"'Aquaman'\"<\/a>
Image via Warner Bros.<\/figcaption><\/figure>\n<\/div>\n<\/div>
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Director<\/strong>: James Wan
\nStarring<\/strong>: Jason Momoa, Amber Heard, Willem Dafoe<\/p>\n

Being the second-dopest DCEU film of the modern era isn’t so bad, right? James Wan (the Australian writer\/director\/producer who brought us horror franchises like\u00a0Saw<\/em>,\u00a0Insidious<\/em>, and\u00a0The Conjuring<\/em>) helmed this long-awaited dive into the depths of DC’s aquatic escape known as Atlantis to bring us Jason Momoa’s Aquaman. Set some time after the events of\u00a0Justice League<\/em>, this film had to do a lot: it had to make a dude who talks to fish believable as a hero, tell this person’s origin story, AND help establish him as a true force in the DCEU all in two hours. Well, the film clocks in at 143 minutes, but somewhere in there is a very fun, very mid superhero film. Highlights include the opening sequence, with Aquaman\u00a0doing battle with David Kane (who will soon become the Black Manta, portrayed by Yahya Abdul-Mateen II) inside of a submarine. There’s a boatload of CGI’d\u00a0hair, some insane water-enabled firepower, and a third act which features a Kraken-esque\u00a0create wreaking havoc on all kinds of aquatic soldiers. It’s a fun ride, with some truly intense moments (you have to see this in IMAX for that scene with the Trenches alone), but is lacking something overall to take it above what Gal Gadot, Patty Jenkins, and company did with\u00a0Wonder Woman<\/em>. \u2014khal<\/p>\n<\/div>\n<\/section>\n

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8. WONDER WOMAN (2017)<\/h2>\n<\/blockquote>\n<\/div>\n<\/section>\n
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\"Wonder<\/a>
Image via Warner Bros\/Atlas Entertainment<\/figcaption><\/figure>\n<\/div>\n<\/div>
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Director<\/strong>: Patty Jenkins
\nStarring<\/strong>:\u00a0Gal Gadot, Chris Pine, Robin Wright<\/span><\/p>\n

To say\u00a0Wonder Woman\u00a0<\/em>is the best film of the DCEU is to do a disservice to Patty Jenkins\u2019 stunning superhero debut. So far and away superior to the DCEU\u2019s testosterone-fueled exercises in drudgery,\u00a0Wonder Woman<\/em>\u00a0takes the tenants of Christopher Reeve\u2019s effervescent and unflaggingly heroic Superman to a new level of optimistic badassery. Featuring a gorgeous first act that unfolds on the lush, Amazonian utopia of Themyscira and later set against a surprisingly emotionally devastating WWI backdrop,\u00a0Wonder Woman<\/em>\u00a0carefully mixes the superhero standards with touches of the war genre and some refreshingly candid romance to create a superhero film that feels both like a throwback to classics of yesteryear and something entirely fresh. Gal Gadot is the reason for much of the film\u2019s radiance\u2014a dazzling screen presence who manages to imbue\u00a0Wonder Woman<\/em>\u00a0with equal parts otherworldly toughness and heroic soft-heartedness\u2014with Chris Pine\u2019s Steve Trevor offering the perfect street-wise foil to her altruistic naivete. Sure, the film\u2019s final third is a bit of a drag as things all culminate in a decidedly dull CGI battle, but\u00a0Wonder Woman<\/em>\u2019s first two hours are so breathlessly super, it feels wrong to ask for anything more. \u2013\u00a0Aubrey Page<\/em><\/span><\/p>\n<\/div>\n<\/section>\n

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7. THE DARK KNIGHT RISES (2012)<\/h2>\n<\/blockquote>\n<\/div>\n<\/section>\n
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\"Dark<\/a>
Image via Warner Bros.<\/figcaption><\/figure>\n<\/div>\n<\/div>
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Director:<\/strong>\u00a0Christopher Nolan
\nStarring:<\/strong>\u00a0Christian Bale, Tom Hardy, Anne Hathaway\u00a0<\/span><\/p>\n

Topping the\u00a0Dark Knight\u00a0<\/em>was an impossible feat not even the great Chris Nolan could conquer. And yet even with that caveat,\u00a0DKR<\/em>\u00a0gets a lot of hate, most of it deserving. I get it\u2014TDK\u00a0<\/em>was basically a Michael Mann film with expensive gadgets and clown paint. To shift from that to an enemy who literally takes over an entire city and banishes Bruce Wayne to a random pit in the desert with Movie MacGuffin No 1 (an untraceable nuclear bomb!) at his disposal is jarring. Still, a disappointing effort from Nolan is like a disappointing album from Jay Z\u2014to call it bad, per se is just being dramatic. Even far from the top of his game, the end result is still a comepelling watch and I challenge you to show me a Marvel movie with a fight scene as visceral and engrossing as Bane breaking Bruce\u2019s back. Hardy\u2019s voice effect may be goofy but he succeeds in following Heath\u2019s\u00a0Jaws<\/em>-like, where-will-he-pop-up-next and what-will-he-do menace. And who would have ever thought Anne Hathaway\u2019s annoying ass would steal the film with a perfect cocktail of Kitt and Pfeiffer and a believable badass in her own right. (I\u2019m the only one who would watch a dolo Hathaway Catwoman film? Word? Aight.) The plot holes are so glaring they\u2019re hilarious (HOW DID BRUCE GET FROM THE PIT IN ANYWHERE, THIRD WORLD BACK INTO GOTHAM, B?) but in the end this movie still concludes Bruce\u2019s 3-film arc and Nolan\u2019s ultimate treatise on the Batman mythos beautifully. Stop complaining. \u2014Frazier Tharpe<\/em><\/span><\/p>\n<\/div>\n<\/section>\n

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6. SUPERMAN (1978)<\/h2>\n<\/blockquote>\n<\/div>\n<\/section>\n
\n
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\"Superman\"<\/a>
Image via Warner Bros\/Dovehead Films<\/figcaption><\/figure>\n<\/div>\n<\/div>
<\/figcaption><\/figure>\n<\/div>\n<\/section>\n
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Director<\/strong>: Richard Donner
\nStarring<\/strong>:\u00a0Christopher Reeve, Margot Kidder, Gene Hackman\u00a0<\/span><\/p>\n

No matter how\u00a0Superman\u00a0<\/em>has aged\u2014from it’s bonkers, dated special effects (there are Spencer Pratt level amounts of crystals) to how earnest it seems in comparison to today’s ~edgy~ superhero films, it will always stand the test of time. That’s partly due to it’s insane cast\u201470s scream queen babe Margot Kidder as Lois Lane, Marlon Brando as Jor-El and bonafide legend Christopher Reeve as Superman. Reeve’s magnetic performance as the bespectacled babe made him the blueprint for all Superman performances since. Let’s just say that no one has quite ever made it to his level yet.\u2014Kerensa Cadenas<\/em><\/p>\n<\/div>\n<\/section>\n

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5. BATMAN RETURNS (1992)<\/h2>\n<\/blockquote>\n<\/div>\n<\/section>\n
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\"Batman<\/a>
Image via Warner Bros.<\/figcaption><\/figure>\n<\/div>\n<\/div>
<\/figcaption><\/figure>\n<\/div>\n<\/section>\n
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Director<\/strong>: Tim Burton
\nStarring<\/strong>:\u00a0Michael Keaton, Danny DeVito, Michelle Pfeiffer\u00a0<\/span><\/p>\n

God, Tim Burton really used the box office coup of\u00a0Batman<\/em>\u00a0\u201889 to fully fucking unleash his freak flag in the sequel. Like everything from the Peak Burton era, the lived-in weird world he builds in\u00a0Returns<\/em>\u00a0is simply wonderful[ly bizarre]. And profoundly sad. Burton, with Michelle Pfeiffer and Danny DeVito, render the well-worn tales of Catwoman and Penguin to the most tragic depictions possible\u2014with Batman in the middle and no plotline of his own, under the very reasonable assumption that he\u2019s just inherently sad anyway and can relate. Throw in the always reliable Christopher Walken as a billionaire tycoon for some pure, feelings-free evil and what you have is quietly the most engrossing Batman film second only to\u00a0Dark Knight<\/em>, mayyyybe\u00a0Batman<\/em>\u201889 depending on the day. \u2014Frazier Tharpe<\/em><\/span><\/p>\n<\/div>\n<\/section>\n

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4. BATMAN BEGINS (2005)<\/h2>\n<\/blockquote>\n<\/div>\n<\/section>\n
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\"Batman<\/a>
Image via Warner Bros.<\/figcaption><\/figure>\n<\/div>\n<\/div>
<\/figcaption><\/figure>\n<\/div>\n<\/section>\n
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\n

Director<\/strong>: Christopher Nolan
\nStarring<\/strong>:\u00a0Christian Bale, Michael Caine, Liam Neeson<\/span><\/p>\n

It\u2019s easy to joke on Christopher Nolan for being kinda (pretty?) pretentious. But Nolan singlehandedly rebooted the Batman franchise to critical acclaim. Starring Christian Bale as Bruce Wayne\u2014Batman Begins<\/em>\u00a0explores his origins as the hero of Gotham. Nolan\u2019s take was dark and cinematic as he showed Bruce Wayne going through training with Henri Ducard and eventual path to protecting Gotham (and love interest Rachel Dawes, played by a kinda miscast Katie Holmes) from the Scarecrow and Ra\u2019s Al Ghul. Nolan effortlessly channeled Bruce Wayne\u2019s darkness, alongside a great performance from Bale. And thus a new franchise was born. \u2014Kerensa Cadenas<\/em><\/span><\/p>\n<\/div>\n<\/section>\n

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3. BATMAN (1989)<\/h2>\n<\/blockquote>\n<\/div>\n<\/section>\n
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\"Batman\"<\/a>
Image via Warner Bros.<\/figcaption><\/figure>\n<\/div>\n<\/div>
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Image via Warner Bros.<\/div>\n<\/figcaption><\/figure>\n<\/div>\n<\/section>\n
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Director<\/strong>: Tim Burton
\nStarring<\/strong>: Michael Keaton, Jack Nicholson, Kim Basinger<\/p>\n

If it wasn\u2019t for Heath Ledger\u2019s performance as the Joker in\u00a0The Dark Knight<\/em>, Tim Burton\u2019s\u00a0Batman<\/em>would be the illest Batman ever. It shouldn\u2019t have worked: Hollywood wasn\u2019t ready for Michael Keaton as the Caped Crusader in a film featuring hella new Prince songs. Throw Jack Nicholson playing himself with a wide smile and white facepaint and you have one of the most magnificently manic superhero films committed to celluloid. Nicholson found the perfect insanity in his Joker performance, being able to cut the comedy on a dime to unleash the sinister intentions underneath. It\u2019s got a style all its own, and is truly as amazing as Tim Burton\u2019s first dark foray into the world of Batman would be.\u2014khal<\/em><\/span><\/p>\n<\/div>\n<\/section>\n

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2. SUPERMAN II (1980)<\/h2>\n<\/blockquote>\n<\/div>\n<\/section>\n
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\"Superman<\/a>
Image via Warner Home Video\/Dovehead Films<\/figcaption><\/figure>\n<\/div>\n<\/div>
<\/figcaption><\/figure>\n<\/div>\n<\/section>\n
\n
\n

Director<\/strong>: Richard Lester
\nStarring<\/strong>:\u00a0Christopher Reeve, Gene Hackman, Ned Beatty<\/span><\/p>\n

There\u2019s something about that second film in a superhero\/action trilogy, right? Call it\u00a0Empire Strikes Back<\/em>\u00a0syndrome, but something about the need to level up and not suffer from sophomore jinx turns into something epic like 1980\u2019s\u00a0Superman II<\/em>, which finds Christopher Reeve donning the cape once more, this time taking on General Zod and his goons. It wasn\u2019t because Gene Hackman\u2019s Lex Luthor wasn\u2019t enough; trust, he did his thing, but it made sense to go bigger and more destructive in the sequel. Not too many films can pull off the showdown between Zod, Ursa and Non against Superman in the middle of Metropolis. It can delve into cheese at times, and might feel dated compared to what films can do currently, but most of the DC film catalog lacks the heart that\u00a0Superman II<\/em>\u00a0does.\u2014khal<\/em><\/span><\/p>\n<\/div>\n<\/section>\n

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1. THE DARK KNIGHT (2008)<\/h2>\n<\/blockquote>\n<\/div>\n<\/section>\n
\n
\n
\n
\n
\n
\"Dark<\/a>
Image via Warner Bros.<\/figcaption><\/figure>\n<\/div>\n<\/div>
<\/figcaption><\/figure>\n<\/div>\n<\/section>\n
\n
\n

Director<\/strong>: Christopher Nolan
\nStarring<\/strong>:\u00a0Christian Bale, Heath Ledger, Aaron Eckhart<\/span><\/p>\n

There\u2019s no denying that for the foreseeable future Christopher Nolan\u2019s\u00a0The Dark Knight\u00a0<\/em>trilogy will stand as the best of the rest. The director\u2019s cohesive telling of a singular story across three films, superb visual execution, and in-depth character development are second to none. Nolan\u2019s reimagined version of Gotham and the Dark Knight\u2014as well as his \u201cwonderful toys<\/a>\u201d and famed Batmobile\u2014created a theatrical experience that was not only entertaining and reflective of modern times, but also acknowledged and respected by Hollywood.<\/span><\/p>\n

The linchpin of the series was undoubtedly\u00a0The Dark Knight,<\/em>\u00a0which earned eight nominations at the 2009 Academy Awards and ultimately took home two Oscars. One of which was earned posthumously by Heath Ledger, whose haunting portrayal of The Joker is the stuff of legend. From his spastic ticks and lip smacking to his unexplained backstory and facial scars, Ledger\u2019s version of the iconic villain was redefined for an entire generation in a way that made Jack Nicholson\u2019s classic 1989 performance, which had long been regarded as the definitive silver screen Joker, pale in comparison. Nolan\u2019s films,\u00a0The Dark Knight<\/em>\u00a0in particular, have proven to be the cr\u00e8me de la cr\u00e8me of what DC has to offer. There is no debating this. \u2014Anslem Samuel Rocque\u00a0<\/em><\/p>\n<\/div>\n<\/section>\n<\/blockquote>\n<\/div>\n<\/section>\n

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<\/div>\n<\/div>\n<\/section>\n","protected":false},"excerpt":{"rendered":"

hen it comes to superhero movies, Marvel and its Cinematic Universe has been something to gawk at. With 15 films under its interconnected belt, Marvel\u2019s been able to drop a range of movies from mid to marvelous in an eight-year span. Those are far from the first Marvel movies, though;\u00a0Blade\u00a0was ...<\/p>\n","protected":false},"author":6,"featured_media":91411,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[4545],"tags":[648,6793,3518,9614],"class_list":["post-91401","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-entertainment","tag-batman","tag-dawn-of-justice","tag-superman","tag-wonder-woman"],"acf":false,"yoast_head":"\nRanking The DC Films, From Worst to... 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