{"id":91744,"date":"2018-12-27T20:10:26","date_gmt":"2018-12-27T18:10:26","guid":{"rendered":"https:\/\/ngradio.gr\/?p=91744\/"},"modified":"2018-12-27T20:10:26","modified_gmt":"2018-12-27T18:10:26","slug":"superhero-movies-2018-ranked","status":"publish","type":"post","link":"https:\/\/ngradio.gr\/en\/news-el\/entertainment\/superhero-movies-2018-ranked\/","title":{"rendered":"The Superhero Movies of 2018, Ranked"},"content":{"rendered":"

Hate it, love it, [extremely\u00a0Josh Brolin<\/strong>\u00a0voice]\u00a0dread it, run from it, the fact of the matter is our pop culture landscape is ruled by superheroes. The modern-day watercooler is the Tweets, forums, and message boards that light up like an Infinity Stone following the release of a comic book movie. Hell, the\u00a0trailers<\/em>\u00a0for the upper-tier entries stop office productivity, traffic, and social interaction for days at a time. This year was a wild, wide-ranging one for the genre; we got massive franchise-cappers like\u00a0Avengers: Infinity War<\/strong><\/em>,\u00a0decades-in-the-making standalone stories like\u00a0Venom<\/strong><\/em>, blockbusters like\u00a0Aquaman<\/strong>\u00a0<\/em>that are so unlikely\u00a0Entourage<\/strong><\/em>\u00a0turned it into a running joke for years. Superhero movies got weird. Superhero movies got animated. Superhero stories are absolutely, positively here to stay.<\/p>\n

But as pretty much any X-Men villain will tell you, not all those with superpowers were created equal. So here, I\u2019ve ranked all seven superhero movies that were released in theaters in 2018. If you disagree, that\u2019s\u00a0incredibly<\/em>\u00a0okay! That\u2019s actually the most beautiful part about comic book movies; not one caped crusader soaring through the clouds will mean the same to two people. Disagreements can be fun. Debate can be fun. Superheroes should be, above most things, fun. To quote an icon: \u2018Nuff said.<\/p>\n

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9) Ant-Man & The Wasp<\/h2>\n
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In such a crowded space, one of the worst things a superhero can be is \u201cfine.\u201d\u00a0Ant-Man and the Wasp<\/strong><\/em>\u00a0is perfectly, serviceably\u00a0fine. It\u2019s good! But it\u2019s a bit of a bummer that both of\u00a0Peyton Reed<\/strong>\u2018s\u00a0Ant-Man<\/em>\u00a0films tease getting truly wacky with the character\u2019s powers and the Quantum Realm but always pull back into something much more formulaically Marvel. With that said, this movie has some gems. The size-swapping chase scene that sees\u00a0Michael Pena<\/strong>\u00a0basically driving a Hot Wheels car and a motorcycle thug getting wiped out by a giant Pez dispenser is a fantastic set-piece; honestly, boiled down, it\u2019s everything an Ant-Man movie should be. Paul Rudd continues to be one of the most perfectly-cast heroes in the entire MCU, and Evangeline Lilly kicks an ungodly amount of ass as Hope Van Dyne. I\u2019m not sure I really need a third\u00a0Ant-Man<\/em>, but I\u2019m dying for these two to pop up in as many other MCU films as they want.<\/p>\n<\/div>\n<\/div>\n

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8) Venom<\/h2>\n
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Oh,\u00a0Venom<\/strong><\/em>.\u00a0Venom<\/em>,\u00a0Venom<\/em>,\u00a0Venom<\/em>. How best to describe a film that is so shoddily shot, paced, and scripted and yet I will most likely re-watch on HBO for the rest of my days?\u00a0Ruben Fleischer<\/strong>\u2018s big-screen\u00a0take on the alien Symbiote is a clunky ride, stuck between rote origin story and oddly plot-less romp that ends so suddenly you could probably see the editing marks from outer space. But\u00a0Tom Hardy<\/strong>, man. As disgraced journalist Eddie Brock infused with a sentient ball of outer space goo, Hardy does not just go balls to the wall, he goes through the wall and into a lobster tank filled with physical-acting gems. And honestly, Hardy\u2019s energy permeates the rest of the movie, elevating everything from the surprise appearance of an uncomfortably sexual She-Venom to\u00a0Michelle Williams<\/strong>\u2018 completely earnest delivery of the line \u201cI\u2019m sorry about Venom.\u201d If you want a well-crafted piece of comic storytelling, look elsewhere. If you want to get intoxicated in whatever way you choose and have a goddamn blast,\u00a0Venom<\/em>\u00a0has so many snacks and so little time.<\/p>\n

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7) Deadpool 2<\/h2>\n
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By now, you know if you love or hate the Merc with the Mouth played with puppy gusto by\u00a0Ryan Reynolds<\/strong>, and\u00a0Deadpool 2<\/strong><\/em>\u00a0goes all in on the character\u2019s fourth-wall-breaking\u00a0meta-comedy and over-the-top violence. I fall somewhere right in the middle, so while I don\u2019t think\u00a0Deadpool 2<\/em>\u00a0is a great movie I think it\u2019s borderline great for what it very,\u00a0very<\/em>\u00a0specifically is. There\u2019s a\u00a0Wolverine: Origins<\/strong><\/em>-worth of flaws, yeah; no amount of\u00a0winkity-wink-that\u2019s-lazy-writing<\/em>\u00a0meta-humor can take away the actual ingrained laziness of killing off\u00a0Morena Baccarin<\/strong>\u2018s Vanessa before the opening credits. But what the movie lost on worthwhile supporting characters it does eventually re-gain in spades with the addition of a jacked out of his freakin\u2019 mind\u00a0Josh Brolin<\/strong>\u20142018\u2019s superhero villain of the year\u2014as a pitch-perfect Cable and the endlessly watchable\u00a0Zazie Beetz<\/strong>\u00a0as Domino. The movie\u2019s best gag takes place in its time-hopping end-credits scene, which is a bit of a drag, but\u00a0get your\u00a0pulse checked if you don\u2019t find the newly-minted X-Force\u2014Bedlam (Terry Crews<\/strong>), Shatterstar (Lewis Tan<\/strong>), Zeitgeist (Bill Skarsgard<\/strong>), Vanisher (Brad Pitt<\/strong>\u00a0for like\u00a0two seconds<\/em>), and Peter W. (Rob Delaney<\/strong>)\u2014jumping from a plane into their immediate deaths to be an inspired bit of lunacy.<\/p>\n

(Miss me with that\u00a0PG-13 nonsense<\/a>, though.)<\/p>\n<\/div>\n<\/div>\n

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6) Teen Titans Go! To the Movies<\/h2>\n
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It\u2019s a shame\u00a0Teen Titans Go! To the Movies<\/strong>\u00a0<\/em>didn\u2019t leave much of a footprint when it hit theaters, because it\u2019s such\u00a0<\/em>a clever animated film, one that took me by complete surprise having never seen the source material Cartoon Network series. It\u2019s so\u00a0weird<\/em>. There are plenty of \u201cis this for kids?\u201d moments mixed in with the splashes of color, like the \u201cUpbeat Inspirational Song About Life<\/a>\u201c\u2014 featuring\u00a0Michael Bolton<\/strong>\u00a0as a keytar-playing outer space tiger\u2014that had me wondering if I\u2019d spiked my pre-movie direct with something a little more hallucinogenic. But what\u2019s really a blast about\u00a0Go!<\/em>\u00a0is that while it certainly does work as a breezy ninety-minute comic book movie for kids, it also acts as a satire on the superhero movie landscape in general,\u00a0dissecting with a shockingly sharp scalpel. If superheroes\u00a0were real, of\u00a0course<\/em>\u00a0they would judge each other by who had a standalone story on the screen. (And of\u00a0course<\/em>\u00a0like 90% of them would somehow feature Batman.)\u00a0Lil Yachty<\/strong>\u2018s\u00a0John Stewart saying \u201cthere was a Green Lantern movie\u2026but we don\u2019t talk about that\u201d is a hilarious remedy to the idea Warner Bros. is too self-serious to poke fun at its own DC Universe.<\/p>\n<\/div>\n<\/div>\n

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5) Incredibles 2<\/h2>\n
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Incredibles 2<\/strong><\/em>\u00a0is ostensibly two movies in one,\u00a0but writer\/director\u00a0Brad Bird<\/strong>manages to make them\u00a0work in tandem to show both sides of what makes superheroes such an enduring\u00a0storytelling idea. While we follow Elastigirl (Holly Hunter),\u00a0Incredibles 2<\/em>\u00a0is a wildly inventive comic book caper, complete with wonderfully inventive super-powered set-pieces and the mystery of the villainous Screenslaver* to boot. But that plot leaves Mr. Incredible (Craig T. Nelson<\/strong>) at home with the kids\u2014Violet (Sarah Vowell<\/strong>), Dash (Huck Miner<\/strong>), and Jack-Jack (Eli Fucile<\/strong>)\u2014and there\u2019s something so wonderful and endearing about the world\u2019s strongest man being brought low by laundry and homework. Like, same, my superpowered friend. That humanizing aspect has always been the beauty of the Incredibles, and though this sequel never reaches the height of the original, it still does an [apologies in advance] incredible job reminding us why we care about these characters both in and out of a super-suit.<\/p>\n

(*I also just love the name The Screenslaver. One of the most genuinely impressive things about the Incredibles movies is how they feature such unique hero and villain names. That\u2019s harder than you think. Seriously, Google a random adjective or verb and there\u2019s a chance Marvel had a character with that name at some point.)<\/p>\n<\/div>\n<\/div>\n

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4) Avengers: Infinity War<\/h2>\n
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There\u2019s almost no doubt in my mind that when the\u00a0Russo Brothers<\/strong>\u00a0complete their vision next year with\u00a0Avengers: Endgame<\/strong><\/em>, the entire story will stand as one of the best, if not the best comic book tales put to screen. But there\u2019s just no denying that this year\u2019s\u00a0Avengers: Infinity War<\/em>\u2014for all this technical wizardry, character juggling, and overall impressiveness\u2014is only half the story.\u00a0Infinity War<\/em>\u00a0is a damn miracle; this movie shouldn\u2019t have been possible to make, much less\u00a0end up\u00a0this<\/em>\u00a0enjoyable. But still, it\u2019s incomplete, with the fate of half the universe still quite literally floating in the air.<\/p>\n

With that said, hot damn this movie\u2019s a good time.\u00a0Infinity War<\/em>\u00a0might be the most rewatchable two-hour-and-forty-minute movie of all time. The second time I saw it in a theater I was shocked when the battle for Wakanda arrived after what felt like 90 minutes, tops. That comes down to how much the Russos work to give every single character their time to shine.\u00a0Chris Hemsworth<\/strong>\u00a0has completely settled into a groove as a Thor who is funny as hell but still an Asgardian badass, and unsurprisingly his story provides the lightning-bolt fuel that moves this movie along.\u00a0Chris Evans<\/strong>\u2018 bearded Captain America entrance on a subway platform cracked my mind into pieces in ways I still haven\u2019t processed.\u00a0Danai Gurira<\/strong>\u2018s Okoye needs a standalone series on Disney+ to be announced yesterday. I could do this all day, because somehow Infinity War gives all of its beloved heroes\u2014from Doctor Strange (Benedict Cumberbatch<\/strong>) down to Groot (Vin Diesel<\/strong>)\u2014a memorable moment. This movie is ten years of meticulous homework finally turned in and almost,\u00a0almost<\/em>getting a perfect grade. Bring on the endgame.<\/p>\n<\/div>\n<\/div>\n

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3) Aquaman<\/h2>\n
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Maybe it\u2019s my odd love for adventure serials of the 1930s and 40s and the swashbuckling high-seas journeys from the likes of\u00a0Ray Harryhausen<\/strong>. Maybe it\u2019s something about the way\u00a0James Wan<\/strong>\u00a0can take his obvious skill for intimate, shadowy horror and flip it into grand, tense action set-pieces. Maybe it\u2019s because\u00a0Jason Momoa<\/strong>\u00a0could sell me matches inside a burning building. Whatever it is, I love\u00a0Aquaman<\/strong><\/em>, a messy tidal wave of energy and light that\u2019s straight\u00a0bounding<\/em>\u00a0with a sense of adventure and discovery in every floating frame. I know in a post-Dark Knight<\/em><\/strong>\u00a0age things like earnest cheesiness are a dirty word, but\u00a0Aquaman<\/em>\u00a0wears it proudly on its sleeve; it\u2019s a throwback to a certain type of comic book where nothing was off the table\u2014sea monsters! gladiator fights! an octopus playing the drums!\u2014as long as it was accompanied by several exclamation points and the flashiest gosh dang colors you\u2019d ever seen. And oh, what colors: Wan and his art department army and VFX crew created an Atlantis that pops off the screen not just with shades and tints but with\u00a0life<\/em>; if I could hit pause on an IMAX screen and just pick out the individual crustacean people and shark steeds, I would. Aquaman was, and remains, a bit divisive, but if you\u2019re waiting for me to say it wasn\u2019t some of the best fun I\u2019ve had in a theater all year, don\u2019t hold your breath, not even under the sea.<\/p>\n<\/div>\n<\/div>\n

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2) Black Panther<\/h2>\n
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It\u2019s hard to quantify the exact\u00a0effect of\u00a0Black Panther\u00a0<\/strong><\/em>on pop culture. Because there is the\u00a0impact<\/em>\u00a0of it, not just\u00a0in box office terms\u2014which, in itself, was massive\u2014but in the idea of the first Marvel movie to be led by a predominantly black cast, in the fact that African American kids are still, ten months after premiere,\u00a0tearing open T\u2019Challa and Dora Milaje toys and screaming \u201cWakanda forever\u201d because finally, a set of superheroes\u00a0are kicking ass but they also look just like them. That, my friends, is undeniably real. But what occasionally, and maybe rightfully, gets lost in the discussion is that as a movie\u00a0Black Panther<\/em>\u00a0just sort of fucking rules. Director\u00a0Ryan Coogler<\/strong>\u2014who also co-wrote the script with\u00a0Joe Robert Cole<\/strong>\u2014beautifully paints a Shakespearean tragedy set within the MCU, a wonderful combination of world-building and soul-searching that also includes waterfall brawls and an insane\u00a0Andy Serkis<\/strong>\u00a0rocking a bazooka arm.\u00a0Chadwick Boseman<\/strong>\u00a0becomes the definition of a leading man here; the most interesting Black Panther stories deal with T\u2019Challa\u2019s uneasiness with the title of king, and that anxiety runs through Boseman\u2019s entire performance. It\u2019s a subtle showing that sometimes goes overlooked next to\u00a0Michael B. Jordan<\/strong>\u00a0as Erik Killmonger, the best on-screen Marvel villain by a large margin. Jordan\u2019s powerhouse take on the character, who introduces the idea that Wakanda stood by and watched slavery happen in a\u00a0Marvel movie<\/em>, is the solid bedrock that keeps the MCU\u2019s best movie standing. The character\u2019s final line is likely the realest a Marvel entry will ever be: \u201cBury me in the ocean with my ancestors who jumped from the ships, because they knew death was better than bondage.\u201d<\/p>\n<\/div>\n<\/div>\n

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1) Spider-Man: Into the Spider-Verse<\/h2>\n
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The number one entry on this ranking is the hardest to describe in words because it\u2019s best to experience it.\u00a0Spider-Man: Into the Spider-Verse<\/strong><\/em>\u00a0is an experience. My original instinct walking out of my first\u00a0screening was to\u00a0describe it as<\/a>\u00a0a \u201ccomic book theme park ride on several hallucinogens.\u201d Not much about that has changed. When we talk about comic book movies we often mean movies based on comic books. Spider-Man: Into the Spider-Verse is a capital-letter\u00a0Comic Book Movie<\/em>,\u00a0a wave of digital ink that immerses you in multi-panel pages, speech bubbles and block-lettered THWIPS bouncing past your head. It\u2019s nothing less than a love letter to comics. An homage to the past\u00a0and<\/em>\u00a0future of comics.<\/p>\n

Written by\u00a0Phil Lord<\/strong>\u00a0and co-directed by\u00a0Peter Ramsey<\/strong>,\u00a0Bob Persichetti<\/strong>, and\u00a0Rodney Rothman<\/strong>,\u00a0Spider-Verse<\/em>\u00a0is, first and foremost, the story of how Miles Morales (Shameik Moore<\/strong>) adopted the mantle of Spider-Man, and that\u2019s what makes it special. Because Miles is largely un-special, just a kid from Brooklyn who is into graffiti art, spending time with his uncle Aaron (Mahershala Ali<\/strong>), and obscenely\u00a0catchy songs<\/a>\u00a0featuring\u00a0Post Malone<\/strong>. Through Miles,\u00a0Spider-Verse\u00a0<\/em>hops through several dimensions to arrive at the idea that\u00a0an average high school New Yorker could save this world and a few others if they just take a leap of faith. Combine this beautiful theme with\u00a0John Mulaney<\/strong>\u00a0as a talking cartoon pig, a gender-swapped Doctor Octopus (Kathryn Hahn<\/strong>),\u00a0Nicolas Cage<\/strong>\u00a0dramatically performing 1930s slang, freakin\u2019 Spider-Gwen\u2019d out Gwen Stacy (Hailee Steinfeld<\/strong>), and an alt-universe Peter Parker (Jake Johnson<\/strong>) whose gut barely fits into his Spider-Man suit? Comic book perfection. Point to whoever had the best superhero movie of the year.<\/p>\n

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Source: collider.com<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Hate it, love it, [extremely\u00a0Josh Brolin\u00a0voice]\u00a0dread it, run from it, the fact of the matter is our pop culture landscape is ruled by superheroes. The modern-day watercooler is the Tweets, forums, and message boards that light up like an Infinity Stone following the release of a comic book movie. Hell, ...<\/p>\n","protected":false},"author":6,"featured_media":91747,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[4545],"tags":[4557,5251],"class_list":["post-91744","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-entertainment","tag-movies-en","tag-superhero"],"acf":false,"yoast_head":"\nThe Superhero Movies of 2018, Ranked - NGradio.gr<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/ngradio.gr\/en\/news-el\/entertainment\/superhero-movies-2018-ranked\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The Superhero Movies of 2018, Ranked - NGradio.gr\" \/>\n<meta property=\"og:description\" content=\"Hate it, love it, [extremely\u00a0Josh Brolin\u00a0voice]\u00a0dread it, run from it, the fact of the matter is our pop culture landscape is ruled by superheroes. The modern-day watercooler is the Tweets, forums, and message boards that light up like an Infinity Stone following the release of a comic book movie. 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